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1

'HISTOIRE CONVERSATIONNELLE'. CASE STUDY: BAKHTIN DIALOGUE WITH DUVAKIN

100%
Kita M.
Stylistyka
|
2005
|
vol. 14
256-286
EN
On the basis of W. Duvakin's 'Conversations avec Bakhtine' (Conversation with Bakhtin) the authoress describes, as a case study, the conversational history of the above-mentioned persons. She claims that the conversational history comprises: characters of participants and their relations which change during the interaction, circumstances of the meeting, memory markers allowing for the construction of a thematic coherence. Assuming that the analyzed conversation represented a historical narration, the participant's memory (or lack of memory) appears to be an important cognitive category.
2

Od Teruelu po ruiny Berlina. Krótka rozprawa o narracji Antony’ego Beevora

80%
Dutka W.
Sensus Historiae. Studia interdyscyplinarne
|
2013
|
issue 1(10)
93-114
EN
Antony Beevor seems to be one of the most popular historians of World War II. The presented paper is a research trial of analysis his books by taking into the centre his historiography narration by confronting it with some aspects of creative writing. The text is divided into small chapters and follows: how different methods of narration are connected with romanticism, suspense, comedy and terrifying moments of war. Beevor writes history from the point of view of the soldiers as well as all those who decide, but he characterizes them by using the key of literary narration. The question of hero in the narration is analyzed by some achievements of Polish theory of history (Jerzy Topolski). The other chapters are dedicated to conceptualize the issues of history visualization and finally how the suspense (theory of J. Dąbała) as the method of narration is used by Beevor. It is not widely known that Beevor started his writer career as the author of suspense/ thriller stories and his success of being historian is basically founded on using the novel method into the non-fictional historical book.
3

OBRAZ, NARATÍV, DEJINY V ROMÁNE PÁLA ZÁVADU PRIRODZENÉ SVETLO

70%
Görözdi J.
Slovenská literatúra (Slovak Literature)
|
2017
|
vol. 64
|
issue 6
432 – 444
EN
Within the context of contemporary Hungarian historical narration Pál Závada´s literary production represents writing with pronounced views on the content of the subject matter as well as the narration issues of plausiblity of stories about history. The subject of the paper is the writer´s historical novel Prirodzené svetlo (Természetes fény/Natural Light, 2014), which experiments with bringing history into the present simultaneously through the medium of language/narration and that of an image/photographs. The paper analyses the relation between the text and the image (ekphrasis, „discovered“ photographs, illustration, narrativization, contradiction, missing photographs), the interconnections of medial switching/overlapping while placing the accent on perception (H. Belting, W. J. T. Mitchell), which are seen from the perspective of questions about the nature of historical representation raised by this literary work (authenticity of the resource materials of written history, ideology/stipulated structure of perception and recollection, non-convergent microhistorical narratives as a correction of collective historical memory , i.e. too little or too much history – P. Ricoeur).
4

Antropologia i historia

61%
Piątkowski K.
Rocznik Antropologii Historii
|
2011
|
issue 1-2
17-31
EN
This article attempts to examine the relationship between history and anthropology, viewed from the anthropological perspective. It defines the conditions governing the development of historical anthropology in Poland, locating them in their philosophical and methodological background. Consequently, it also shows the way in which every historical examination has its anthropological counterpart. Every historical document is a subject to interpretation, is not “neutral”, the researcher always makes a subjective interpretation. In this area historical anthropology proposed a new language (hermeneutics), criticism and the regard of cultural practice.
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