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1

„DIE LUBINAKEN KOMMEN!“ ODHAĽOVANIE HURBANOVHO POMNÍKA V NOVOM MESTE NAD VÁHOM V KONTEXTE OSLÁV 10. VÝROČIA VZNIKU ČESKOSLOVENSKEJ REPUBLIKY

100%
Macho P.
Slovenský národopis (Slovak Ethnology)
|
2018
|
vol. 66
|
issue 3
287 – 302
EN
The study describes the preparation, construction and official unveiling of Jozef Miloslav Hurban’s Memorial in Nové Mesto nad Váhom on the 10th Anniversary of the birth of the Czechoslovak Republic in 1928. The construction of the memorial was initiated by the local organisation of Matica slovenská, with the involvement of Slovak and Czech intellectuals (Ľudmila Podjavorinská, Rudolf Markovič, Otokar Fleischer and others). The collective remembering of Hurban was marked by creating ideologically motivated links between the Hurban and legionary traditions. The legionary element was integrated in the rhetoric and ritual aspects of this festivity on purpose. Ján Drobný suggested using this memorial initiative to achieve definitive Slovakisation of the public life in the town, even by using violence. His proposal was targeted against the members of the so-called better society which arose mainly from the Jewish community and preferred Hungarian in public communication. The events related to Hurban’s Memorial revealed the frustration of some members of the Slovak intellectual élite. They had the feeling that the upheaval and the birth of the republic in 1918/19 did not culminate with absolute victory of the Slovak national idea. The purpose-built and positively “modelled” picture of the “Hurbanist” past was one of the factors that worked in the contemporary discourse as purported guarantee of the national reliability and loyalty of the citizens of the Nové Mesto region towards the Czechoslovak state.
2

IDYLICKOSŤ A MALEBNOSŤ V CESTOPISOCH ALOJZA MEDŇANSKÉHO A JOZEFA MILOSLAVA HURBANA

88%
Koliová M.
Slovenská literatúra (Slovak Literature)
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2018
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vol. 65
|
issue 1
37 – 45
EN
The present paper looks through the prism of picturesqueness as an aesthetic category and the idyll as a genre to examine the way of depicting the sceneries in the travelogues written by Alojz Medňanský (Malebná cesta dolu Váhom v Uhorsku/The Picturesque Journey down the Vah in Hungary, 1826) and Jozef Miloslav Hurban (Prechádzka po považskom svete/The Walk around the World of the Považie Region, 1844). Before the actual analysis and interpretation of particular travelogue extracts, the attention is paid to certain typological similarities/differences of picturesque and idyllic scenery as well as the establishment and development of the aesthetic category of picturesqueness. At the same time the ideological potential of an idyll or the concept of picturesqueness is noticed, while the particular way of fulfilling the potential in the selected texts is monitored. The chosen approach makes it possible to grasp and classify the typology of scenery employed by the writers in question, and also to understand its function within the whole meaning plan of either travelogue. The paper mainly builds on the research and the findings of E. R. Curtius, K. Stibral, C. Jungová and E. Lobsien.
3

JOZEF MILOSLAV HURBAN AND HIS OLEJKAR (Jozef Miloslav Hurban a jeho Olejkar)

88%
Bilik R.
Slovenská literatúra (Slovak Literature)
|
2011
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vol. 58
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issue 3
220-229
EN
The study contains an interpretation of Slovak romantic writer Jozef Miloslav Hurban´s prose Olejkar (Medicine man). It is meant to verify essential structural features which participate in the production of the prose´s receptive meaning. The interpretation showed that the basic intention which can be identified in the text is deliberately laying emphasis on pragmatic functions of fiction. The intention is in accord with the idea of fiction purposefulness which was presented and formulated by Jozef Miloslav Hurban in his theoretical works, namely Slovensko a jeho zivot literarny (Slovakia and its literary life), where Hurban openly formulates his idea of extra literary functions of fiction, while the nation representation is the dominant one. The key element, necessary for history thematisation, is Hurban´s construct of progressive history direction epitomized in the metaphor of a pyramid. Thus, formed theoretical premise finds its fictional manifestation in the prose Olejkar. In the terms of history thematisation, the composition principle is tension between historiographic verified version of historical facts and their fictional recoding. This approach is in the text represented by the character of Matus Cak Trenciansky, who is depicted as a 'Slovak patriot' and a representative of 'good old times'. The functional emphasis of nation-representative intention is also seen in the thematisation of love as mainly individual heroic sacrifice for the good of the nation. Thus, Hurban incorporates into his prose - besides his own theoretical construct of nation history - Stur´s call for sacrificing personal matters (love, marriage) on the altar of the nation.
4

SLOVANSKÉ NEBO – IDYLA V HURBANOVOM DIELE SLOVENSKO A JEHO ŽIVOT LITERÁRNY

75%
Bilińska I.
Slovenská literatúra (Slovak Literature)
|
2018
|
vol. 65
|
issue 1
1 - 14
EN
The paper focuses on tracking the idyllic topoi in historiosophical work by Jozef Miloslav Hurban Slovensko a jeho život literárny /Slovakia and its Literary Life/, in which Slovak literary science emphasized the idea of continuity of the development of Slovak culture and literature. The deconstruction of the idyllic topoi shows that it is the idyll that is the important part of the ideological construction of Hurban´s work. The idyllic topoi in connection with mystification of the past enabled him to create the idea of continuity between the present times and the Great Moravian cultural legacy. The idyllic codes can be found in Hurban´s depiction of the Slovak territory, Slovak nation, and its cultural evolution. The ethic and aesthetic values of the idyll became the base of Slovaks´ created collective identity. The idyllic language is part of the Romantic national myths, especially the myth of folksiness, the Great Moravian myth and the myth of the thousand-year-old yoke. Hurban´s idea of continuity of national culture, the connection between the „cradle of Slavs“ and the writer´s present times, and especially the utopia of Slavic future in the form of „Slavic heaven“ is based on idyllic topoi and Slovak Romantic myths.
5

DVA DOLNOZEMSKÉ (VOJVODINSKÉ) KATECHIZMY

63%
Brtáňová E.
Slovenská literatúra (Slovak Literature)
|
2016
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vol. 63
|
issue 6
399 – 421
EN
The goal of the paper is to show that Lower-land Vojvodina (Northern Serbia), which was inhabited in the second half of the 18th century by Slovak evangelicals of the Augsburg confession for economic and religious reasons, was an environment where specific literary culture was created being mainly based on religious and educational literature. It focuses on one of the significant manifestations of this sort of literature, i.e. catechism production, which features two characteristic lines: the original domestic catechism (Matej Ambrózi Jádro náboženství křesťanského ku prospěchu evangelických konfirmantů - The Core of Christian Religion to the Benefit of Evangelical Confirmands, 1844) and the adaptation of a translation of a foreign (German) catechism (Leopold Abafi – Heinrich Wendel: Výklad malého katechismu Dr. Martina Luthera - The Interpretation of Dr Martin Luther´s Small Catechism, 1870). The paper, which is a result of literary and historical research methodologically and empirically anchored in the region of Vojvodina, is the first to clarify the circumstances and the context of creating both of the catechisms, although Abafi´s edition of Wendel´s catechism (nowadays archived in the parish library in Stará Pazova) is not available in Slovakia at all. Besides the first interpretative probe, which shows to what extent the artistic ambitions of the creators of the editions analysed were fulfilled, it interconnects and reflects on the discussion of the genre of catechism at that time.
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