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EN
The longest, west wall of the South Lower Portico (Portico of Obelisks) of the Temple of Hatshepsut at Deir el-Bahari has been reassessed in terms of its current state, compared to the original documentation by Edouard Naville, as an opening step to the author’s research project organized within the frame of the larger University of Warsaw Temple of Hatshepsut research program. A considerable number of blocks from the wall, including unpublished fragments, was tracked down in storage in the various temple blockyards and storerooms. About two-thirds of the wall decoration underwent conservation treatment in the spring of 2018 and 2019 seasons. The paper discusses the author’s progress in this research.
EN
A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex in the Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject of this paper. Its comparison with existing relief fragments leads to the conclusion that the plate in question is the result of an artificial juxtaposition of two disparate fragments of wall decoration from the Royal Mortuary Cult Complex.
EN
The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari. One of them had been written on the north wall of the portico and can be related precisely to the second phase of restoration undertaken in the Temple of Queen Hatshepsut in the post-Amarna period, and more specifically to the reign of Ramesses II. The other inscription, written on the south wall of the portico, can be ascribed to a certain Minnakht and his colleague Ired, presumably builders of the temple. In addition, a comment on other dipinti on the walls of the portico and its pillars has been included.
EN
A collection of 619 whole and fragmentary ushebti figurines dating from the Third Intermediate Period was recovered between 2004 and 2007 by the Polish team excavating in the Chapel of Hatshepsut, an integral part of the Queen Pharaoh’s mortuary temple in Deir el-Bahari. The figurines include objects of faience, clay and painted clay, all relatively small and roughly modelled. They represent a category of objects that is seldom published separately. The paper presents a typology of the ushebtis based primarily on the material from which they were produced, discussing their chronology and find contexts as well.
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