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EN
The matter of the article is the representation of ancient arms and armour in Saint Petetrburg’s architecture. Classisism style (1770-1840) and New Classicism style (1905-1915) are studied. The main point of the article is the representation of helmets in military décor. The article contains: 1. Typology of ancient military décor; 2. The full list of buildings with ancient military décor of Saint Petersburg; 3. Examples of ancient helmets in military décor of Saint Petersburg; 4. Aesthetical Analysis of the art, symbolic and ideological reasons for using ancient military décor in Saint Petersburg’s buildings; 5. The attempt to prove that archaic helmets are the most frequent kind of Saint Petersburg’s military décor; 6. The attempt to prove that Russian architects and sculptors did not copy ancient helmets and other arms but they created new samples according to the canons of Classicism art.
EN
The article discusses a helmet that was published in 1914 in Zeitschrift für Historische Waffenkunde. It was possibly found by a German farmer during field works near the town of Verden in Lower Saxony. The helmet which was previously associated with the Saxons and dated between Migration Period and the reign of Charlemagne shows clearly relations with far Asian constructions. Additionally I discuss here another helmet in The Metropolitan Museum of Art, which seems to be a 20th century reworking that imitated the Verden helmet.
EN
The article discusses a helmet found in 1968 in a mountainous village of Yarysh-Mardy situated on the river Argun in the north-eastern Caucasus. The helmet was often associated with the Golden Horde period, which according to the author seems highly unlikely. On the basis of a detailed comparative analysis, the author puts forward a thesis of dating the object to either the late-Sasanid or early-Islamic period, i.e. to late 6th - beginning of 8th c. AD. Specifically, it is suggested that the appearance of the helmet in the Caucasus may be attributed to the time of Byzantine-Sasanid conflicts taking place at the turn of 6th and 7th c. AD. Additionally, the article argues that in the late Sasanid period a new sub-type of helmets came into existence, namely the ones with straight spangs and ones with spiky rivets. Furthermore, it is proposed that the Yarysh-Mardy helmet bears certain correspondences to similar finds from Groningen and Bremen.
EN
This article will describe a previously unknown helmet in the Musee d’Art Classique de Mougins (MACM) in southern France. The helmet is of the “bandhelm” variety and is decorated with heraldic motifs plus silvered rivets. The helmet bears some resemblance to known helmets from Cheragh Ali Tepe / Amlash but also differs in several crucial ways. In the light of this new example, a new typology of Sasanian helmets and some novel insights on the development of Sasanian helmets is also offered.
EN
Current paper consists of two main parts. In the first part the author discusses arms and armor presented in the Kizil Caves depictions, suggesting a datation of the two well-knowncaves, namely so-called Maya Cave and Cave of the Painter. In the second part of this paper the author discusses a helmet found in Iran and currently held in the David Collection,Copenhagen. On the basis of a detailed comparative analysis, the author puts forward a thesis of correlation between the lamellar and spangen pear-shape helmets dating the objects tolate 6th-beginning of the 7th century CE. Specifically, it is suggested that the David Collection helmet is a later evolution of such forms that was known in the late-Sasanian period.
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