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PRINCIPLES OF MIMESIS AND FICTION IN BAROQUE OPERA STAGE

100%
Blahynka M.
Slovenské divadlo (Slovak Theatre)
|
2007
|
vol. 55
|
issue 3
375-384
EN
From the point of theatre mimesis, the baroque opera stage has been suggesting mainly through its gestic tools at imitating human types and characters. The baroque opera stage did not head towards a drama substance as a particular fatal unit. The whole of stage work was based on an actor´s stylization and form. Via the category of astonishment and fantasticism, the baroque theatre inclusive of some actor means, is working with an artistic fiction. An illusion of reality - perfectly produced by then baroque scenographic means, and in contradiction to types of contemporary dramatic art, inclusive of a costume work, were creating a unique relation of artistic mimesis and artistic fiction in the history of theatre.
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No i stało się. Szkic do manifestu gnostyka

51%
Jaroszewski J.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
|
2019
|
vol. 27(27)
246-253
PL
The text by Janusz Jaroszewski (the author of artistic and scientific book THAT THERE... with no name) And so it happened is a draft of a manifesto, a critical assessment of all old and present religious as well as political doctrines, that are intersubjective imagined orders, which, in author’s as- sessment, currently led to very serious crisis of all kinds of values. Jaro- szewski strengthens his diagnosis with references to writers, poets and philosophers, who also included these issues in their works – Thomas Bernhard, Yuval Noah Harari, Miguel de Unamuno and Marina Tsvetaeva.
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