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  1. 2 Waszak P.

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  2. 1 2021

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1

LOCAL AND SUPRA-REGIONAL SIGNIFICANCE OF ROMANESQUE SCULPTURE AND ITS PLACE IN ART HISTORY – THE EXAMPLE OF BAS-RELIEFS FROM A CHURCH IN INOWROCŁAW

100%
Waszak P.
ARS
|
2021
|
vol. 54
|
issue 2
140 - 154
EN
This paper addresses the issue of Romanesque sculpture and presents it by means of describing the ensemble of masks preserved in the Romanesque, partially reconstructed, church dedicated to the Name of the Blessed Virgin Mary, a symbol of Inowrocław. This text addresses the well-known sculptures analysed from a contemporary research and methodological perspective in respect of the history of medieval art. Artistic analogies, aesthetic sources, and the practice of ornamenting the Houses of God with stone masks have been presented and new interpretations of iconography, form, and meaning have been discussed. Issues concerning artistic geography, style, significance, law of the frame and technique have been considered and compared.
2

NEO-ROMANESQUE CHURCHES OF THE ANNUNCIATION OF THE BLESSED VIRGIN MARY IN INOWROCŁAW AND ST. ADALBERO IN WÜRZBURG – EXAMPLES OF REFERENCES TO PRE-ROMANESQUE AND ROMANESQUE ARCHITECTURE

100%
Waszak P.
ARS
|
2023
|
vol. 56
|
issue 2
95 - 108
EN
The article presents a comparative analysis of the neo-Romanesque churches in Inowrocław and Würzburg. The education, artistic career and publications of the designer of the Church of the Annunciation of the Blessed Virgin Mary in Inowrocław, August Rincklake, as well as the architectural achievements of his younger brother, Wilhelm, proved to be important factors that shaped the church structure. Specific inspirations, correspondences and architectural references used in this monumental building have been identified. The discussion points include the western works, the idea of the Saxon façade, other tower western structures and the encastellated building, and minor components, such as ornaments. The Church in Inowrocław has served to discuss distinctive features of the Romanesque and neo-Romanesque styles, the relationship between them, the principles governing them and the approach displayed around the year 1900 to the patterns that were distant in time and space. The point of comparison is the neo-Romanesque Church of St. Adalbero [Adalberokirche] in Würzburg to demonstrate numerous uses and the universal application of motifs borrowed from the system developed in proto-Romanesque and Romanesque Lombard architecture.
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