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LITERARY HERITAGE IN MUSEUM EXHIBITIONS: IDENTIFYING ITS MAIN CHALLENGES IN THE EUROPEAN CONTEXT

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Strepetova M., Arcos-Pumarola J.
Muzeológia a kultúrne dedičstvo
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2020
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vol. 8
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issue 3
95 – 109
EN
Literary heritage presents a dialectic relationship between tangible and intangible elements. This complex duality presents challenges for curators, who must try to communicate this immaterial essence through the exhibition language. This article, structured on a two-phase research process, aims to identify the main challenges for literary heritage valorisation and communication in the museum context. First, interviews with specialists in literary heritage and museology from Catalonia and Russia were carried out to identify the main issues to be considered when designing a literary heritage exhibition and managing a literary heritage centre. Second, the websites of three renowned literary European museums were analysed to inspect whether and how these aspects are tackled by these museums and presented to their potential visitors. Results show that, firstly, the duality of literary heritage is vital in the designing of the exhibition; and secondly, that concepts such as human mediation, literary tourism, and promotion are important in finding new strategies to communicate and visibilise literary heritage intangible meanings.
2

PUNCH AND JUDY: WHOSE SHOW IS IT ANYWAY?

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Reeve M.
Slovenský národopis (Slovak Ethnology)
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2013
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vol. 61
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issue 5
507 – 514
EN
Towards the end of the 20th century performers of the traditional British glove puppet show, Punch and Judy, began to document, to organize and to celebrate their own tradition in response to a number of perceived threats to it. In doing so, they produced tangible and intangible artefacts (texts and films) and experiences (festivals and meetings). These tangible and intangible products stand in contrast to the much of the documentation about the tradition which has been produced by non-performers. Taking the recent making of a DVD of Punch and Judy performers as its starting point, this paper considers this trend and suggests that Punch and Judy performers have regained control of their tradition through the production of these artefacts. The paper also points to the problems of terms such as ‘tangible’ and ‘intangible’. This paper is a slightly amended version of the paper given at the Anderle Radvan conference and puppet festival in Banská Bystrica, Slovakia, held on the 6th September 2013.
3

INTANGIBLE CULTURAL HERITAGE EMBRACES IN STRATEGICAL RESEARCH AGENDA (SRA). JOINT PROGRAMMING OF EUROPEAN RESEARCH AREA

100%
Murín I.
Slovenský národopis (Slovak Ethnology)
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2013
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vol. 61
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issue 5
515 – 522
EN
This paper presents an initiative in the European Research Area in jointly programming and realising research in cultural heritage within Horizon 2020. The Slovak research team participating in this activity is composed of ethnologists, cultural and social anthropologists with an affiliation to the intangible cultural heritage. Naturally the scientific questions of this team towards living culture and cooperation in Europe are attentively perceived. A survey of defining research priorities is actually one of the unique findings about the state of cultural heritage research, phenomena, context and research needs. This text includes methods of survey, results of intangible heritage, comparison with the Slovak situation in traditional culture and what is rare – some assumption and assessment to develop intangible heritage in Europe.
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