Imagology, a sub-discipline of comparative literary studies, has had a history of more than fifty years of research on the national and/or ethnic strangeness/otherness in literary texts. My paper will present some recent terminological concepts of imagology (as proposed by Hugo Dyserinck, Joep Leerssen and Manfred Beller, Daniel-Henri Pageaux, Jean-Marc Moura, Ernst Grabovszki), complemented by my own terminological approach.
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