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EN
This article is a discourse analysis based on a theory of figures of speech advocated by Orecchionni that analyzes implicit not only as a mark of literality but also as trope of illocutionary type not lexical, lexical, metaphorical or semantic. It considers also the explicit information of the novel through four levels of competency: linguistic, encyclopedic, logical and pragmatic rhetorical and analyzes the romantic statement according to the maxims of quantity, quality, relation or relevance and modality. This study shows, through verbal interactions of « Douane de mer » that the story is the heiress of the mnemonic representation than of historical representation. It sheds light on the dual role played by implicit as a mediator in relation to historical reality or an opaque screen over the truth of the world.
EN
Translation in the Middle Ages did not involve the same constraints as translation today for various reasons, which this article will attempt to highlight through a semiotic analysis of the opposing powers and other translation-related pressures which interact in the translation process. This process involves a source language and a target language, but above all a source culture and target culture. Translation in the Middle Ages, like translation today, is primarily about taking into consideration certain constraints, some of which are shared between the two eras but which, in all cases, take into account the period in which they were translated. Indeed, an era involves modes of thought, political and religious ideologies, translation and stylistic practices that are unique to that particular time. If, as example periods, we have chosen two eras which are quite remote from each other, it is to demonstrate that the issues certainly differ, but not as much as one might imagine, particularly in certain political and ideological contexts.
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