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  1. 2 Acta Neophilologica

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  1. 2 Nikadem-Malinowska E.

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  1. 1 2011

  2. 1 2010

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METAFORA ECHA W CYKLU WIERSZY ИЕРУСАЛИМСКАЯ ТЕТРАДЬ INNY LISNIANSKIEJ

100%
Nikadem-Malinowska E.
Acta Neophilologica
|
2011
|
vol. XIII
225-233
EN
In the year 2004 Inna Lisnianskaya created a cycle of poems Иерусалимская тетрадь (The Jerusalem Notebook). It consists of forty three poems. The title of the cycle, the place of its creation, opening and closing poems and dedication constitute on an aesthetic whole that is built on the megametaphor me is an echo. The importance of this metaphor, which is the basic figure of the poetic language, arises from the process of interpretation, so is inherently subjective. By drawing attention to the issue of interpretation, cognitivism emphasizes the role subjectiviza- tion as the basis for semantic extensions, and conceptualization. Important role for the conceptuali- zation of the analyzed cycle plays the closed composition. By repeating the sounds of different places and times the lyrical body sees itself as an echo of the spacetime. In this way, a metaphor me is an echo becomes the primary metaphor of the cycle.
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PRZESTRZENIE MENTALNE W POEZJI INNY LISNIANSKIEJ I WISŁAWY SZYMBORSKIEJ (NA PODSTAWIE TOMIKÓW POETYCKICH ИЕРУСАЛИМСКАЯ ТЕТРАДЬ I TUTAJ)

75%
Nikadem-Malinowska E.
Acta Neophilologica
|
2010
|
vol. XII
145-152
EN
Metaphorization in poems is a specific phenomenon. Poetry, having different function from that of everyday language, uses metaphorization through encoding and decoding a message. Unusual metaphors make communication between an author and a reader more difficult, but also more attractive. By dint of metaphor an idea concentrates greatly and a reception of a message, apart from the message itself, provides aesthetical values. Relations between time and space in a poem, where presented world is minimized, are always metaphorized. In order to define them, cognitive poetry uses the term of mental spaces. The author of this work is going to characterize these spaces in poems of two poets – in the Inna Lisnianskaya’s Иерусалимская тетрадь and Wisława Szymborska’s Tutaj.
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