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1

Motyw krwi w poezji Inny Lisnianskiej

100%

Nikadem-Malinowska E.

Acta Polono-Ruthenica

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2011

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vol. Tom 1 Nr XVI

127-135

EN

Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.

2

Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)

80%

Nikadem-Malinowska E.

Acta Polono-Ruthenica

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2009

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vol. Tom 1 Nr XIV

159-166

EN

Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.

3

Konceptualizacja straty w cyklu wierszy Inny Lisnianskiej Без тебя

70%

Nikadem-Malinowska E.

Acta Polono-Ruthenica

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2013

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vol. Tom 1 Nr XVIII

79-89

EN

Inna Lisnianskaya’s cycle Без тебя consists of fourteen poems. It was written within fourdays - between 24 and 27 May 2003. Each poem presents the emotions felt by the lyrical subjectwho experiences a painful loss of a loved one. Lisnianskaya’s loss is conceptualised in a holistic manner - each poem constitutes an independent conceptualisation of loss, however, their hierarchy creates the superordinate concept the whole cycle is devoted to.

4

Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy

61%

Nikadem-Malinowska E.

Acta Polono-Ruthenica

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2008

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vol. Tom 1 Nr XIII

307-318

EN

Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.

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Motyw krwi w poezji Inny Lisnianskiej

Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)

Konceptualizacja straty w cyklu wierszy Inny Lisnianskiej Без тебя

Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy