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EN
International Committee Poland (PKN) of the International Council of Museums (ICOM) was founded in 1947 as a result of Poland having joined the United Nations, and subsequently the International Council on Monuments and Sites (UNESCO). Throughout the 72 years of its activity, ICOM Poland (PKN ICOM) has transformed from a smallsized group of museum directors and experts (21 individuals in 1947) into a team of professionals amounting to over 300 individuals (either professionally active or retired). Their contribution to shaping Polish museology will likely become the topic of an extensive monograph. In 1947-2018, ICOM Poland was presided by 8 individuals (see Table 1.); their operation mode was specified by subsequent ICOM Statues, modified by the General Assembly, as well as the ICOM Code of Ethics for Museums. It is the first decade of the ICOM Poland operations that is discussed in the paper; the names of the illustrious museologists of that period are given; they were the ones who in 1947-58 worked out the principles of cooperation, and despite the challenging political situation, were able to gradually introduce the rules of creating museums and of managing them as institutions of heritage protection and active learning, open to a broad exchange of ideas and international cooperation; furthermore, they worked out the assumptions and models for museum exhibits’ conservation and documentation.
PL
W XXI w. partycypacja jest jednym z najważniejszych słów kluczowych odnoszących się do działalności muzeów i dyskusji wokół nich. Publiczność zachęcana jest do współtworzenia muzealnych projektów – wystaw, programów towarzyszących wystawom, badań; występuje w charakterze konsultantów i doradców (rady młodzieżowe, kluby, zespoły doradcze). Muzea coraz szerzej „otwierają się” na publiczność. Nigdy wcześniej w historii muzeów pozycja odbiorcy nie była tak znacząca. Artykuł jest przekrojowym spojrzeniem na programy partycypacyjne w polskich muzeach. Autorka dokonuje w nim kategoryzacji i charakterystyki projektów partycypacyjnych, umiejscawia je w filozofii działania muzeów, w szczególności z odniesieniem do zmieniającej się roli muzeów, która jest aktualnie dyskutowana na gruncie Międzynarodowej Rady Muzeów w kontekście nowej definicji muzeum, a także prezentuje wstępne wnioski wypływające z realizacji takich projektów dla muzeów. W artykule wykorzystany został materiał z wywiadów przeprowadzonych podczas projektu Atlas muzealnej partycypacji realizowanego w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego.
EN
In the 21st century, participation is one of the key words related to the operations of museums and debate around them. The public are encouraged to co-create museum projects: exhibitions, programmes that accompany exhibitions, studies; they play the role of consultants and advisors (youth councils, clubs, consultancy teams). Museums are more and more widely ‘opening’ to embrace the public. Never before has the position of visitors been as significant. An overview of participatory programmes in Polish museums is provided. They are classified and characterized by the Author who places them within the philosophy of museum operations, particularly with respect to the altering role of museums, currently debated over within ICOM, with the context of the new museum definition in mind; furthermore, she presents the initial conclusions drawn from the implementation of such projects for museums. In the paper the material from interviews conducted as part of the Atlas of Museum Participation Project implemented with a grant from the Ministry of Culture and National Heritage has been used.
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