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Organiczne pulsowanie lektury: o Poetyce rozkwitania Katarzyny Szopy

100%
Chromik A.
Śląskie Studia Polonistyczne
|
2019
|
vol. 13
|
issue 1
201-211
EN
The present text comprehensively discusses a book by Katarzyna Szopa entitled Poetyka rozkwitania. Różnica płciowa w filozofii Luce Irigaray [Poetics of Blossoming. Sexuate Difference in Philosophy of Luce Irigaray]. The author of the article posits the monograph in question within the continuum of contemporary feminist thought and sees it as an instance of redefining essentialism. What, as the author suggests, seems the most worthwhile about Szopa’s book is inscribing Luce Irigaray’s thought in feminist materialism, aside from the literary scholarship of the author adding value to her critical adroitness.
2
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Organiczne pulsowanie lektury: o Poetyce rozkwitania Katarzyny Szopy

100%
Chromik A.
Śląskie Studia Polonistyczne
|
2019
|
vol. 13
|
issue 1
201-211
EN
The present text comprehensively discusses a book by Katarzyna Szopa entitled Poetyka rozkwitania. Różnica płciowa w filozofii Luce Irigaray [Poetics of Blossoming. Sexuate Difference in Philosophy of Luce Irigaray]. The author of the article posits the monograph in question within the continuum of contemporary feminist thought and sees it as an instance of redefining essentialism. What, as the author suggests, seems the most worthwhile about Szopa’s book is inscribing Luce Irigaray’s thought in feminist materialism, aside from the literary scholarship of the author adding value to her critical adroitness.
3
Publication available in full text mode
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Feminist Phenomenology and the Politics of Wonder

99%
Mann B.
Avant
|
2018
|
vol. 9
|
issue 2
43-61
EN
The philosophers agree that philosophy begins in wonder. How wonder is understood, however, is not at all clear and has implications for contemporary work in feminist phenomenology. Luce Irigaray, for example, has insisted on wonder as the passion that will renew relationships between women and men, provide a foundation for democracy, and launch a new era in history. She calls on women to enact practices of wonder in relation to men. In what follows I briefly review the most significant claims about wonder in the history of philosophy generally, and as related to the phenomenological practice of the epoché particularly. I consider Irigaray’s claims about wonder as they arise out of this tradition, and try to spell out both what is promised to women and what is asked of them through affirmations of wonder. I suggest that this prescriptive notion is at the heart of a new conservatism in “feminist” thought that turns on nostalgia for age-old beliefs about women’s proper mode of relation toward men and their accomplishments, and is deeply homophobic. I urge readers to adopt a more critical attitude toward wonder as related to sexual difference by historicizing the inquiry in keeping with the phenomenological practice of Simone de Beauvoir. Drawing on Kant, Beauvoir, and contemporary work by Sara Ahmed, I suggest that there is a politics of wonder at work here which feminists have every reason to question. Reflecting on the politics of wonder also discloses some key features of critical feminist phenomenological practice.
4

The Mother, Who Is Not One: Reflections Of Motherhood In Shakespeare'sRomeo And Juliet,The Tempest,AndThe Taming Of The Shrew

85%
KARAMAN H.
Gender Studies
|
2014
|
vol. 13
|
issue 1
37-47
EN
The lack of proper motherhood in Shakespeare's plays has been a point of attraction for many feminist critics actively engaged in emphasizing the patriarchal aspect of Shakespeare's plays. This paper aims to analyze motherhood and the lack of mother/mother-figure in The Tempest, Romeo and Juliet and The Taming of the Shrew through Luce Irigaray's theory of gender and the work of other feminist critics. The issues of gender, father-daughter relations and the reflections of the absent mothers will be discussed. Male/Female Subjectivity will also be questioned, in view of Irigaray's conceptualization of gender by relating it to Subject.
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