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„Ciągle żywy”. Wpływ Kieślowskiego na kino polskie w czasach postkomunistycznych

100%
Haltof M., Tambor A.
Postscriptum Polonistyczne
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2010
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issue 1(5)
89-104
EN
The influence of Krzysztof Kieślowski on Polish post-communist cinema is discussed. The author refers to all events held in 2006 (the year of the 10th anniversary of the director’s death). He stresses Kieślowski’s influence and reflects upon his cooperation with Krzysztof Piesiewicz. Also the effect Kieślowski had on such directors as Michał Rosa, Jerzy Stuhr, Iwona Siekierzyńska, to name but a few, is indicated.
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“Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy”

45%
Przybylski K.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2018
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vol. 24
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issue 33
185-196
EN
Iwona Siekierzyńska school film Missy takes up the theme of a girl’s unfulfilled love for a priest. Her dog named Ledwosz not only accompanies her in the experience of encountering the man in cassock, while his anointing of a sick neighbor, but also triggers the situation that caused her infatuation. This brief and accidental contact with the priest turns out to be a breakthrough experience for the teenage girl looking for love and attention. It means her entering the adult world in which it is easy to miss a crucial moment, or hurt somebody’s feelings quite unconsciously. The young girl’s experience of the brief encounter will remain in her forever. The relation between the female character and her dog from the short film was the inspiration to consider the similarities between Missy and Three Colors: Red, by Krzysztof Kieślowski, who was the artistic supervisor of Siekierzyńska’s film. In both films it is a dog that initiates the process resulting in metaphysical experience for the main characters.
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