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1

UHORSKÉ KONTEXTY OBRAZU ZEMIANSTVA V TVORBE JÁNA KALINČIAKA

100%
Fülöpová M.
Slovenská literatúra (Slovak Literature)
|
2022
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vol. 69
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issue 4
372 - 387
EN
The article tackles the portrayals of the gentry in the writing of Ján Kalinčiak (1822 – 1871) in the Hungarian cultural context. Literature written in Hungary had multiple ties with the gentry: the literary works frequently tackled the topic and many authors – and their readers – belonged to this social class. The article identifies the humorous Hungarian encyclopaedia Hungaria in parabolis (1804) authored by the Hungarian scholar Antal Szirmay (1747 – 1812) as the reference frame for the period portrayals of the gentry. The encyclopaedia synthesised auto-stereotypes of the Hungarian gentry. A comparison of Kalinčiak’s characteristics of Hungarian lower nobility with the one developed by Szirmay shows that the former’s portrayal of this social class as outlined through such issues as the image of the homeland, history, clothing, and customs was in coherence with the general image of the gentry in Hungary at that time. Kalinčiak also tackled the typical attributes of gentry’s speech (anecdotal expressions, humorous undertone, discussing legal disputes, the use of idioms). Kalinčiak’s novel Reštavrácia ([County elections], 1860) deals with the topic of county elections.
2

TEMATICKÉ VÝCHODISKÁ BÁSNE JÁNA KALINČIAKA KRÁLIK

100%
Fülöpová M.
Slovenská literatúra (Slovak Literature)
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2023
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vol. 70
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issue 2
151 - 162
EN
Ján Kalinčiak (1822 – 1871) wrote his poem “Králik [The wren]” (1840) early in his career. The poem connects two different thematic and generic components – the allegorical and satirical social poem depicting the course of elections and the genre of the etymological fable which explains the origin of a name of a bird. In trying to identify the possible starting points of the two thematic layers, it turns out that the allegorical connection of the bird parliament with the portrayal of elections in Hungary had appeared in the unpublished satirical dramatic dialogue by the Hungarian author Ádám Pálóczi Horváth (1760 – 1820), “Az üstökös csillag befolyása a madár társadalom éghajlatára” ([The influence of the comet on the climate of the bird society] 1819). The dialogue described the course of the 1819 election in Zala County. The article traces common elements in the texts of the two authors. Kalinčiak’s poetic treatment of the story of the eagle and the wren suggests its double interpretation: it is both a moralising fable about the victory of the weak over the strong and an etymological fable about the origin of the name of a small bird.
3

SLOVENSKÉ ZEMIANSTVO V REŠTAVRÁCII. HISTORICKÉ UDALOSTI V POZADÍ ROMÁNU JÁNA KALINČIAKA

100%
Demmel J.
Slovenská literatúra (Slovak Literature)
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2022
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vol. 69
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issue 4
388 – 401
EN
The article analyses the novel Reštavrácia ([County elections], 1860) by Ján Kalinčiak (1822 – 1871) through the prism of historical documents. The novel takes as its basis the historical events of 1845 – 1846 election campaigns in the Turiec County. The article identifies the historical figures on which the novel’s characters were built. Such reading of this literary work is not methodologically inappropriate – the elections had a significant bearing on the future events connected with historical events central to the building of the Slovak nation and identity. The analysis provided in the article helps understand the historical circumstances and the context of Slovak national revival of the 1860s and 1870s. This referential reading also helps clarify and revaluate Ján Kalinčiak’s position on the matter. At the same time, it provides one of the backgrounds for the literary reading of the novel.
4

DVE REŠTAVRÁCIE Z 19. STOROČIA: JÁN KALINČIAK A IGNÁC NAGY

75%
Halász I., Schweitzer G.
Slovenská literatúra (Slovak Literature)
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2022
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vol. 69
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issue 4
402 – 414
EN
Elections were a stable part of Hungarian political culture even before the eventful year of 1848. As such they were reflected in individual national literatures written in Hungary – especially in the Hungarian and Slovak ones. The novel by Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860) was thus not the only literary text that portrayed these events. In 1842, the popular Hungarian playwright Ignác Nagy (1810 – 1854) published a comedy under the same title. The novel by Ján Kalinčiak, despite the fact that it was published later, is much less political in its nature than Nagy’s play which in the context of county elections addressed such issues as the emancipation of women, the rights of Jews and the elimination of the political monopoly and tax advantages enjoyed by the gentry. Kalinčiak was primarily concerned with portraying a familial dispute between two gentry families in a fictitious county in northern Hungary. The dispute was resolved harmoniously and the national issues were addressed only marginally. Nevertheless, the novel and the play still have a lot in common. Besides the described social environment and the character of the main plot, these concern the frequent use of Latin expressions and dated language in general, the relatively realistic description of the events, frequent humorous motives, and the fact that the ending bears features of Biedermeier style.
5

ŠPECIFIKÁ PRI FORMOVANÍ NÁRODNÝCH IDENTÍT V LITERÁRNYCH DIELACH DO ROKU 1867 (TRANSKULTÚRNE A INTERTEXTUÁLNE RELÁCIE: JÁN CHALUPKA, JÁN KALINČIAK A JÁN PALÁRIK)

75%
Dušíková A.
Slovenská literatúra (Slovak Literature)
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2022
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vol. 69
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issue 4
364 - 371
EN
The article aims at describing some of the particulars of the formation of national identities in the 19th century in the work of Ján Palárik (1822 – 1870) Inkognito ([Incognito]1858) and Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860), Milkov hrob ([Milko’s grave]1845/1846), and Knieža liptovské ([Prince of Liptov], 1852). The article analyses these works through the prism of Ján Chalupka’s (1791 – 1871) oeuvre which, with regards to identities, seeks a balance between national identities in the multilingual Hungary. Ján Palárik and Ján Kalinčiak strive for similar goals in these works. Key notions in this regard are future and progress which is connected with youth. Starting point in this respect is the self-reflective space of the fictitious town of Kocúrkovo as the space of a possible, projected change embodied in the character of the young teacher Svoboda. Attention is devoted to the hypothesised reasons underlying those attitudes that diverge from the notions established in (national) cultural memory (such as the problem of the relationship towards Hungarian literary tradition or interpretations of the past). The article mainly focuses on the elements reflecting the relationship towards the Hungarian context of the times.
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