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The article explores the change of the representation of the Russian and the Pole’s encounter and love as the metaphor of the social, national and existential choice.The author reveals how the conception of man and the picture of the world changes on the example of the Russian Prose of the second half of the XXth Century (V. Bogomolov’s Zosia, L. Zorin’s The Warsaw’s Melody, E. Radzinski’s Lunin, or Jack’s Death, B. Okudzhava’s The Travel o f Dilettanti, A. Utkin’s Round Dance (Khorovod), J. Bujda’s Boris and Gleb).
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