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EN
In the present article Jan Twardowski’s poems translated into Russian compared with original texts are the object of analysis. The subject matter of the works is concentrating around the most important existential problems. Irrespective of the subject matter of works, an orientation on the sacrum is one of main features of Twardowski’s poetry. Proposed analysis is situated in investigative model of cultural linguistics, referring to the cognitive paradigm. The linguistic image of the angel is investigated in two dimensions. The angel’s attributes in JOS of Polish language were specified within the limits of monolingual analysis, whereas bilingual analysis showed what happens with the JOS when it is transferred to other language, in this case to Russian language.
EN
The subject of research in this article are Jan Twardowski’s poems translated into Russian and compared to their original Polish versions. The purpose of the study was to check whether formal-esthetical equivalence within the scope of expressive names’ translation has been achieved. The issue of stylistic devices is crucial for poetry. The analysis of the original Polish texts indicates a conscious use of *diminutives or *augmentatives by the author in order to approximate a religious sphere to a reader. The comparison of bitexts allows one to establish the techniques used by the translators in the translation process (literary translation, reproduction, tropization, detropization), aiming at achieving the equivalent esthetic effect and transposing an innovative language of faith to the level of Russian language and culture.
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