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Religijność bez Boga i wiary. Z inspiracji Jerzego Grotowskiego

100%
Sobota D.
Filo-Sofija
|
2012
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vol. 12
|
issue 3(18)
243-262
EN
The purpose of this article is to present a certain idea of religiousness. It could be called religiousness without God and without faith. I found its premises in the work of the Polish theatre reformer Jerzy Grotowski. He was neither a prophet nor the founder of the religion; primarily, he was a man of theatre. But for him, in the age of “God’s death” the theatre was a substitute of religion and religious experience. He understood his “poor theatre” as a search for sense of life, an authentic life and the world’s salvation. At various stages of his artistic way, which I present in the first unit of this article, he tried to reach to deeper dimensions of reality. In the end, he went far beyond the theatre. In the second unit, I show the features of religiousness without God and faith. In this religiousness, God exists and does not exists, he is a question, or doubtfulness. The Faith is a physical action, instead of seriousness, we have irony, grotesque, buffo.
2

Praktykowanie kultury. O wyprawianiu się Teatru ZAR

75%
Klamut-Pawlik K.
Prace Kulturoznawcze
|
2011
|
vol. 12
235-239
EN
What links Teatr ZAR to the concepts and premises of J. Grotowski, E. Barba or to the work of Teatr Gardzienice is, first of all, the conviction that the basis of theatre, particularly of the art of acting, is human creativity, which requires its subjects to return to themselves and develop internally. This requires actions that go beyond purely intellectual competence and the closed circle of the familiar. The journeys of Teatr ZAR members to other countries, sometimes geographically and culturally very distant, are equally focused on researching theatre’s musical roots and strength as well as on getting to know oneself thanks to active contact with a different culture. In this sense, theatre anthropology means practising culture.
3
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Idea edukacji całożyciowej w życiu i twórczości Jerzego Grotowskiego

75%
Popowska A.
Rocznik Andragogiczny
|
2010
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vol. R. 2010
EN
Jerzy world-famous Grotowski theatre director the anthropologist of the culture and the teacher as the author of the idea of the entire-practical education. In his life and the artistic work Jerzy Grotowski repeatedly brought up pedagogic topics. In years -70 of the 20th century, carried out the cycle of workshops addressed to adults being aimed for them experiencing not popular situations other than in the everyday life. He realized workshops of the Active Culture. He initiated the development of the animation of the culture and an amateur artistic movement of adults. His life and work was following the example of a demanding teacher. He regarded entire lives of the man as the process of the incessant development and self-improvements. His work constitutes inspiration for the adult education and a prehistory of cultural animation.
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