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The speaking subject in Julia Hartwig’s poetry oscillates between a burden of existential exile, catastrophic consciousness, and a need of regaining order and sense of existence, as well as reveals metaphysical longing inherent in a man. The author pays attention to the act of “seeing the good” fundamental for Hartwig’s poetic epiphanies. The analysis of the category in question is supported with Ryszard Nycz’s and Charles Taylor’s views. The epiphany in Hartwig’s early poems refers to a dream vision, whilst later it emerges in intensive experience of the reality. Being a subjective experience, a moment of revelation, it is born in the act of internalizing the visual. Admiration is derived from the power of sight and equalled to faith as regards the power of revelation of existence in full blossom. The epiphanies many a time point at superhuman sanction of the world and at a feeling of unspeakable richness of existence.
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