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Poezja Julii Hartwig wobec egzystencji i metafizyki

100%

Flakowicz-Szczyrba M.

Pamiętnik Literacki

2012

vol. 103

issue 2

59-100

The speaking subject in Julia Hartwig’s poetry oscillates between a burden of existential exile, catastrophic consciousness, and a need of regaining order and sense of existence, as well as reveals metaphysical longing inherent in a man. The author pays attention to the act of “seeing the good” fundamental for Hartwig’s poetic epiphanies. The analysis of the category in question is supported with Ryszard Nycz’s and Charles Taylor’s views. The epiphany in Hartwig’s early poems refers to a dream vision, whilst later it emerges in intensive experience of the reality. Being a subjective experience, a moment of revelation, it is born in the act of internalizing the visual. Admiration is derived from the power of sight and equalled to faith as regards the power of revelation of existence in full blossom. The epiphanies many a time point at superhuman sanction of the world and at a feeling of unspeakable richness of existence.

11 wrzesnia 2001 w poezji

75%

Wadolny-Tatar K.

Pamiętnik Literacki

2012

vol. 103

issue 4

101-113

The article relates to the events of September 11th, 2001 recorded in the poems by Wislawa Szymborska, Ewa Lipska, and Julia Hartwig. The date indicates as well as encodes the dramatic events connected with World Trade Center terrorist attack. It can be interpreted and described using Jacques Derrida’s term “shibboleth.” The arrangement of the poems under analysis reveals a temporal aspect expressing a different distance to the tragedy, namely “here and now” (Szymborska), “shortly after” (Lipska) and “some time later” (Hartwig). In Szymborska, the medium of photography determines the verbal projections of images, while literature settles the photography’s scope of reference. The photography, to continue, can be seen as a fake ekphrasis. Referring to the methods of communication about the events in question, Lipska juxtaposes two perspectives, namely the vision (per)formed in mass media and by various social commentators, and that of an ordinary man (a tailor). Both form contrasting commentaries on the reality. Hartwig’s poem does not indicate its connections to September 11th, 2001; it is only later that the presented lyrical situation and geographical-topographical details allow for the disclosure. Wieze (Towers) prompt into reflection on the absence of those monumental buildings in New York’s urban landscape which, when destroyed, caused the deaths of many people. The poetics of eye and memory is a literary restoration of the old picture as well as everyday habits after the disaster. The poetic experience of the date is realised with different creative strategies, all of them being the results of searching for the modes of speaking about the tragedy. Three poems shape a shibboleth composition with the date in its semantic centre.

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2 Pamiętnik Literacki

1 Flakowicz-Szczyrba M.

1 Wadolny-Tatar K.

2 2012

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Poezja Julii Hartwig wobec egzystencji i metafizyki

11 wrzesnia 2001 w poezji