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EN
The construction of texts belonging to the fantastic literature allows operation of allegory in a much wider range than in the texts not introducing these elements. The author creates a world represented by his own conception of reality, using imagination and mimetic techniques, and the receiver, conditioned by their individual space, affects the reception of the work. Readability of the text depends on the sender, which is forced to use the images and characters recognizable by the reader. The same principle applies to the plane of the structure of the whole work. Allegory can be treated as a kind of code to encrypt certain knowledge, hiding the truth, at the same time becomes a tool that allows the recipient to reveal hidden content. In the case of such novels as "Limes inferior" by Janusz A. Zajdel we are dealing with multilevel allegorical reading. In terms of historic the Zajdel ’s text provides a description of the socio–political relations between Poland and the Soviet Union and the socio–political relations in the People’s Republic of Poland. However, you can read this allegory in the context of a team problem of coexistence of individuals and their interpersonal relationship leading to mutual dependence of some on the other. To first reading the hints, which are performing guide functions, are necessary to read the topic from historical knowledge. In the second case communication analogies must activate, which you can read without detailed historical and cultural references. In both readings allegory serves as a key — “encryption” and “decryption” of images and activities described heroes in the world of fiction.
Studia Pigoniana
|
2021
|
vol. 4
|
issue 4
71-84
EN
In his article, the author recalls Paradyzja (Paradise, the World in Orbit) by Janusz Zajdel, one of the most important social fiction novels – a literary trend popular in the 1980s in Poland. Zajdel is considered the pioneer of social fiction. His works are characterized by deep social reflection and emphasis put on the role of semantic-allusion language which allowed the inhabitants of an artificial world, called Paradyzja, to engage in free exchange of opinions and a game with their authorities to expose manipulations and lies of the system. This very unique language, called koalang (acronym from correlation–allusion language), is subject to multi-aspect analysis.
PL
W swoim artykule autor przypomina Paradyzję Janusza Andrzeja Zajdla, jedną z najważniejszych powieści popularnego w literaturze polskiej lat osiemdziesiątych XX wieku nurtu fantastyki socjologicznej (social fiction). Zajdel jest uważany za jego prekursora, a twórczość pisarza cechowała głęboka refleksja społeczna i zwrócenie uwagi na rolę języka znaczeniowo-aluzyjnego, który pozwalał mieszkańcom sztucznego świata – Paradyzji – na swobodną wymianę poglądów i swoistą grę z władzą, która obnażała manipulacje i kłamstwa systemu. Ten niezwykle oryginalny język, który pisarz nazwał koalangiem (akronim terminu kojarzeniowo-aluzyjny język), został poddany wieloaspektowej analizie.
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