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1

KSIĄŻĘ POETÓW. Z KRAINY ŁAGODNOŚCI DO CZYTELNIKÓW. NIEPUBLIKOWANA WYPOWIEDŹ JERZEGO HARASYMOWICZA

100%

Korpysz T.

Colloquia Litteraria

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2008

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vol. 3

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issue 1/2

233-236

2

„Historia sarmatica” w poezji Jerzego Harasymowicza (prolegomena)

74%

Borek P.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2020

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vol. 20

320-330

RU

The paper is dedicated to recognising Sarmatian motifs in poetic collections of Jerzy Harasymowicz. The analysis of selected works proves that the poet had an excellent preparation for interpreting old literature. Poems written by Harasymowicz are the evidence of both his familiarity with aesthetic conventions of the Baroque period and his knowledge of historical themes of the 17th century. Historism was treated by the writer as a reservoir of motifs and characters, which were a point of reference for the diagnosis of the current political situation in the 70s of the last century.

PL

The paper is dedicated to recognising Sarmatian motifs in poetic collections of Jerzy Harasymowicz. The analysis of selected works proves that the poet had an excellent preparation for interpreting old literature. Poems written by Harasymowicz are the evidence of both his familiarity with aesthetic conventions of the Baroque period and his knowledge of historical themes of the 17th century. Historism was treated by the writer as a reservoir of motifs and characters, which were a point of reference for the diagnosis of the current political situation in the 70s of the last century.

3

Karpaty w twórczości Bohdana Ihora Antonycza i Jerzego Harasymowicza

70%

Ksenicz A.

Acta Polono-Ruthenica

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2008

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vol. Tom 1 Nr XIII

79-88

EN

The paper is an attempt to compare the artistic vision of the Carpathian Mountains in the poetry of the two outstanding authors. It has been made with reliance on the analysis of several significant aspects that might be noticed in both cases. They encompass such questions as, for instance, remaining in a given place and creating beauty in its spiritual/material dimensions as well as the historical existing of this area together with its inhabitants. The comparative fathoming of numerous poems and other poetic forms indicates decisive similarities between the two authors’ ways of artistic expression whose essential and one of the most original components is an exceptional capability of metaphorising presented world.

4

„Lisowczycy”, czyli Harasymowicz i mielizny poznania poetyckiego

62%

Kopa D.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2020

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vol. 20

331-346

RU

The following paper is dedicated to the work by Jerzy Harasymowicz: 'Lisowczycy czyli rozpędzona korona polska czyli pułkownik Lisowski lub o nim summa zachwytów i krytyk gorących bezstronnego świadka ze siebie i z historii pełnymi garściami brane na co słowo poetyckie daje skromny sługa pióra rymopis'. It is set against the background of the stages of the poet’s creative work. It is placed in a broad context of social processes which took place in Poland in the second half of the 20th century. The author takes a stand in the discussion on the methods of poetic cognition. He makes an updated interpretation of historical references found in Harasymowicz’s work.

PL

The following paper is dedicated to the work by Jerzy Harasymowicz: 'Lisowczycy czyli rozpędzona korona polska czyli pułkownik Lisowski lub o nim summa zachwytów i krytyk gorących bezstronnego świadka ze siebie i z historii pełnymi garściami brane na co słowo poetyckie daje skromny sługa pióra rymopis'. It is set against the background of the stages of the poet’s creative work. It is placed in a broad context of social processes which took place in Poland in the second half of the 20th century. The author takes a stand in the discussion on the methods of poetic cognition. He makes an updated interpretation of historical references found in Harasymowicz’s work.

5

„Banderia Prutenorum”, czyli poczet chorągwi krzyżackich obalonych piórem Jerzego z Krakowa

62%

Mazurkiewicz R.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2020

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vol. 20

305-319

RU

The paper is dedicated to the volume of poems by Jerzy Harasymowicz, entitled 'Banderia Prutenorum' (1976). The author explores the dependence of this volume on a work of the same title, which was released in mid-15th century through the initiative of Jan Długosz. The medieval manuscript contains illustrations and short descriptions of 56 Teutonic flags captured by Polish troops in the battle of Grunwald (1410). The author of these pictures was Stanisław Durink, while the descriptions were made by Jan Długosz, among other authors. Using the illustrations of Teutonic flags from the medieval model, Harasymowicz added his own poems, showing in bad light particular troops (flags) of the Teutonic Order, as well as their great defeat in the battle against Polish‑Lithuanian forces. The author of the paper analyses the ideological‑persuasive meaning of these poems, as well as their language and depiction.

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3 Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

1 Acta Polono-Ruthenica

1 Colloquia Litteraria

1 Borek P.

1 Kopa D.

1 Korpysz T.

1 Ksenicz A.

1 Mazurkiewicz R.

3 2020

2 2008

KSIĄŻĘ POETÓW. Z KRAINY ŁAGODNOŚCI DO CZYTELNIKÓW. NIEPUBLIKOWANA WYPOWIEDŹ JERZEGO HARASYMOWICZA

„Historia sarmatica” w poezji Jerzego Harasymowicza (prolegomena)

Karpaty w twórczości Bohdana Ihora Antonycza i Jerzego Harasymowicza

„Lisowczycy”, czyli Harasymowicz i mielizny poznania poetyckiego

„Banderia Prutenorum”, czyli poczet chorągwi krzyżackich obalonych piórem Jerzego z Krakowa