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1

Zbiory przeworskie w kolekcji Zakładu Narodowego imienia Ossolińskich. Dary Henryka i Jerzego Lubomirskich

100%

Figiela B.

Galicja. Studia i materiały

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2017

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issue 3: "200 lat Ossolineum"

86-120

EN

The subject of this dissertation are historical, artistic and librarian collections gathered in Przeworsk by Duke Henryk Lubomirski. As a result of a pact from 1823 with Józef Maksymilian Ossoliński Henryk Lubomirski accepting the function of the curator of the Ossolineum ascribed by right of succession to Przeworsk fee tail heirs, established the Museum of the Lubomirski Dukes and committed himself to donate his own collections to it. In years 18256–1870 Henryk Lubomirski and his son Jerzy Lubomirski enriched the Ossolineum library with a valuable collection of manuscripts and books and the Lubomirski Museum with a collection of paintings, graphics, drawings, medals and coins, historical collections and that of military accessories called “the Przeworsk armoury”.

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Druk ulotny na temat objawień Maryjnych w Dzierzgowie w roku 1664

94%

Kwaśniewski A.

Orientalia Christiana Cracoviensia

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2018

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vol. 10

EN

Jan Myszkowski received the icon of the Byzantine Mother of God during the Battle of Beresteczko (1651). The icon was made at the turn of the 16th and 17th centuries. The painting was placed in the parish church in Dzierzgów in the diocese of Cracow. In 1664, tears appeared in the painting, which was considered as a wonderful phenomenon. The Cracow Bishop Andrzej Trzebicki delegated the commission to Dzierzgów whose aim was to examine the circumstances of the event. In addition, an anonymous story about these events was printed. The story of the apparitions in Dzierzgów was published in the form of a two-card print, which is currently known only from one copy. The work devoted to this source consists of a discussion and critical edition. Wespazjan Kochowski, while working on the history of Poland, made his own interpretation of the wonderful event. In his opinion, tears appeared in the painting due to the unjust treatment of a Polish magnate Jerzy Lubomirski by the royal court. In this interpretation, Our Lady cried in Dzierzgów when King Jan Kazimierz and Queen Ludwika Maria Gonzaga unfairly accused Jerzy Lubomirski of betrayal.

PL

Jan Myszkowski w czasie bitwy pod Beresteczkiem (1651) otrzymał bizantyjską ikonę Matki Bożej. Ikona była wykonana na przełomie XVI i XVII wieku. Obraz ten trafił do kościoła parafialnego w Dzierzgowie na terenie diecezji krakowskiej. W roku 1664 na obrazie pojawiły się łzy, które uznano za zjawisko cudowne. Biskup krakowski Andrzej Trzebicki wydelegował do Dzierzgowa komisję, która badała okoliczności wydarzenia. W związku z objawieniami wydrukowano anonimowe opowiadanie o tych wydarzeniach. Opowieść o objawieniach w Dzierzgowie została wydana w postaci druku złożonego z dwóch kart. Druk obecnie znany jest tylko z jednego egzemplarza. Praca poświęcona temu źródłu złożona jest z omówienia i edycji krytycznej. Wespazjan Kochowski, opracowując dzieje Polski, dokonał własnej interpretacji cudownego wydarzenia. Jego zdaniem łzy pojawiły się na obrazie z powodu niesprawiedliwego traktowana polskiego magnata Jerzego Lubomirskiego przez dwór królewski. W tej interpretacji Matka Boża płakała w Dzierzgowie, gdy król Jan Kazimierz i królowa Ludwika Maria Gonzaga przygotowywali skierowane pod adresem Jerzego Lubomirskiego niesprawiedliwe oskarżenie o zdradę.

3

Blaski i cienie kuratorii literackiej Lubomirskich w Zakładzie Narodowym im. Ossolińskich w latach 1827–1944

84%

Matwijów M.

Galicja. Studia i materiały

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2017

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issue 3: "200 lat Ossolineum"

10-42

EN

According to acts by the founder of Ossolineum Józef Maksymilian Ossoliński the tasks of the literary (i.e. scientific) curatorship included managing and supervising the activities of the institution most of all in the scope of administrative-proprietary and personal matters. The position of the literary curators was taken by fee-tail heirs of the Lubomirski family form Przeworsk in years 1827–1944 (Henryk in years 1827–1859, Jerzy – 1847–1851 and 1869–1872 and Andrzej – 1882–1944) or legal guardians of the Przeworsk fee tail (Kazimierz Krasicki in years 1872–1882) except for the years 1851–1869 when the Austrian authorities trusted this position to Maurycy Dzieduszycki for political reasons. The main merit of the literary curatorship was to maintain the character of this institution as it was specified by Ossoliński as a Polish national establishment in the period of the anti-Polish policy realized by the Austrian administration in Galicia in the 1830s. Literary curators also took merit for gaining additional sources of funds for Ossolineum (among others, through obtaining the right to print school textbooks in 1876). In years 1847–1913 literary curators and vicecurators appointed by them took the responsibility of direct management of this institution. Although it caused competence conflicts with consecutive directors of Ossolineum, namely August Bielowski and Wojciech Kętrzyński, but at the same time it allowed them to focus on scientific works and elaborating library resources. Henryk Lubomirski and his son Jerzy also took merit in multiplying museum collections donating their vast collection of paintings, graphics and numismatics being the basis to launch their Museum in Ossolineum in 1869. A negative aspect of the literary curatorship of Andrzej Lubomirski was treating the Ossolineum building as a kind of private seat with harm to the literary and museum needs of the institution and making at times too arbitrary and thoughtless decisions in its matters.

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2 Galicja. Studia i materiały

1 Orientalia Christiana Cracoviensia

1 Figiela B.

1 Kwaśniewski A.

1 Matwijów M.

3 2018

Zbiory przeworskie w kolekcji Zakładu Narodowego imienia Ossolińskich. Dary Henryka i Jerzego Lubomirskich

Druk ulotny na temat objawień Maryjnych w Dzierzgowie w roku 1664

Blaski i cienie kuratorii literackiej Lubomirskich w Zakładzie Narodowym im. Ossolińskich w latach 1827–1944