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Logos i Ethos
|
2023
|
vol. 62
|
issue 2
119-138
PL
Artykuł prezentuje sformułowaną przez Jocelyna Benoista krytykę fenomenologii jako projektu epistemologicznego, redukującego zmysłowość do narzędzia odsyłającego do sensu, a także proponowane przezeń uzupełnienie fenomenologii o ontologię percepcji, która pozwala oddać sprawiedliwość zmysłowości samej. Wskazuje, za filozofem, na paralele między fenomenologią formalną i materialną a estetyką nowożytną i poetyką jako praktyką odsłaniającą zmysłowość. Fenomenologia dźwięku oraz omówienie rewolucji awangardowej w muzyce (atonalność, mikrotonalność, muzyka konkretna) wskazują na ograniczenia estetyki nowożytnej oraz ilustrują możliwe kierunki rozwoju fenomenologii zmysłowości.
EN
The article presents Jocelyn Benoist’s criticism of phenomenology as an epistemological project that reduces sensuality to a tool of reference to meaning, and his proposal to supplement phenomenology with an ontology of perception that does justice to sensuality itself. Following the philosopher, the parallels between formal and material phenomenology and modern aesthetics and poetics as a practice that reveals sensuality are drawn. The phenomenology of sound and the discussion of the avant-garde revolution in music (atonality, microtonality, concrete music) point to the limitations of modern aesthetics and illustrate possible directions for the development of a phenomenology of sensuality.
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K rekonstrukci teologie po konci postmoderny

71%
EN
The author addresses the present-day challenge to theology involving a philosophical turn to Realism and its critique of Constructivism and Postmodernism. The author welcomes this critique. He also points out the benefits of radical Constructivism which have been directed toward theology but have not yet been fully utilized. He presents two successful (in his opinion) German attempts to apply Constructivism to theology. The author believes that a Constructivism free of erroneous ideological assumptions is permanently suitable as a methodology for the study of the obviously designed social phenomena. This reasoning is supported in the author’s exploration of the theology of tradition. In the final section, the author makes mention of the main initiatives that New Realism offers for theology, for example in the area of a dialogue between theology and science, the restoration of metaphysics and ontology, and the theological concept of truth, which could include perspectivity and contextuality of cognition into a realistic position.
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