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EN
The article shows the attitude the Cossacks presented on two Kiev synods in 1628 and 1629. Their strong position during the Synod of Kiev in 1628 led Meleciusz Smotrycki to give up his efforts not only to reconcile the Orthodox and Orthodox priests, but above all to persuade the latter to accept union. The Cossacks, opposing the presence of the followers of the Orthodox Church at the synod of Lwów, undoubtedly expressed their uncompromising stance on the issue of the Uniate-Orthodox reconciliation. The attitude of the Cossacks at the synods of Kiev in 1628–1629 also provides us with another argument for her independent actions in the religious field, which should be treated as a clear testimony of the importance of matters of faith in her activities. Just like during the Kiev events from the beginning of 1625, the Cossacks’ activity was at odds with the attitude of the then authorities of the Orthodox Church, which undoubtedly were both Job Borecki and Piotr Mohyła. The undeniable fact of the Zaporozhians’ influence on the change of their initially positive attitude towards the idea of re-entering the union with the Uniate Church, makes them increasingly self-supporting in defending the rights, privileges and, above all, the sovereignty of the Orthodox Church regardless of the weaknesses of its spiritual leaders.
Rocznik Teologiczny
|
2012
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vol. 54
|
issue 1-2
185-196
RU
В статье производится анализ культурных связей России и Украины в XVII-XVIII веках. Показысается влияние украинских богословских школ на формирование научной и культурной жизни Российского государства. Автором подчеркивается то обстоятельство, что в Россию, начиная с XVII века, приглашаются украинские учёные заданием которых было создание образовательной системы. Вместе с ними в России появилась западная модель богословской мысли, регулярная наука и новые для местной традиции елементы эстетической культуры, проявляющиеся в литературе, живописи и музыке. Автора главным образом интересует музыкальная культура России XVII-XVIII веков, развивающаяся под влиянием киевских образцов. Подчеркивается, что мимо теоретической стороны, которая до этого времени в России была неизвестна, развитие музыкальной культуры происходило главным образом в практической среде. В Россию приезжают отдельные певцы и целые коллективы, которые внедрают партесное пение; именно партес становится образцом, согласно которому с XVII века развивается церковная музыкальная культура. Важно вспомнить, что украинские певцы образуют первые светские коллективы, находящиеся на содержании царского двора или аристократии и в репертуарах которых появляются первые итальянские оперы в России. Украинское влияние становится решающим для появления первой национальной композиторской школы, связанной с петербургскими капеллами. В связи с этим автор подчеркивает, что музыкальная культура Украины определила собой развитие церковной и светской музыки.
EN
This article is a part of the bigger work entitled The Ambivalence of Byzantism in Taras Shevchenko’s Writings. The aim of the article is studying the problem of perception and interpretation of the mytheme of Jerusalem in the works by Taras Shevchenko. The crosscultural, semiotic, hermeneutic and comparative analyses allow for discovering deep semantic levels of the “Jerusalem” loci in the works by T. Shevchenko, for clearing out its subtexts and for defining its poetic structure and the levels of the artistic interpretation. In the result of the analyses it has been found that the association “Kiev–Jerusalem” in the works by Shevchenko has its loci of various meanings, which have been formed in the course of a long trajectory within the historic space. The mytheme “Jerusalem” is realized primarily in its Biblical and genetic aspect. The contents of the “Jerusalem idea” proves Shevchenko’s solid knowledge of the Old Testament dogmas in the field of the Judaic history and culture. The resemblance of/between Kiev and Jerusalem is formed on the basis of [the] allegories, the poetical means aiming at the context reading with regard to the urgent social and historic reality. Introducing the mytheme “Jerusalem” into a discourse of fiction, T. Shevchenko accounts for actualization/transposition of its Biblical semantic field/range unto the social, political, cultural and spiritual needs of the epoch. The image of Kiev in Shevchenko’s works has strong sacred characteristics/connotations which indirectly correlate with Christian viewpoints. The importance of Kiev as the spiritual habitable globe is underlined by frequent recollections about numeruous temples, monasteries, saints, monks, icons, pilgrimage traditions, etc. The results of the research can be used for courses in the Ukrainian History of Literature and Theory, for text-books and training aids, for further comparative studies of Shevchenko’s works. The results of the study are addressed to philologists and researchers of the Ukrainian literature. The academic novelty of this article lies in the fact that the mytheme “Jerusalem” in Shevchenko’s works has for the first time become the object of individual research and that theoretic aspects and comparative typological levels of this problem have been elaborated.
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Нові готелі Kиєва

75%
EN
Due to the organization of the European Football Cup EURO 2012, Kiev has gained more than ten mid- and high-class hotels. The number of hotel places has increased significantly. It become possible to host over 100.000 tourists during EURO 2012.
PL
W związku z organizacją Mistrzostw Europy w Piłce Nożnej EURO 2012 Kijów wzbogacił się o kilkanaście hoteli średniej i wysokiej klasy. Liczba miejsc hotelowych zwiększyła się znacząco. Umożliwiło to przyjęcie podczas EURO 2012 ponad 100 tys. turystów.
EN
The subject of the article is the analysis of the image of Kiev, presented in Mikhail Bulgakov’s feuilleton Kiev, the City. This work has rarely been the subject of in-depth analysis, despite the fact that it is one of the few texts in which the writer presents the image of his hometown. A characteristic element of the description of Kiev’s past and present is the irony. It is noticeable in the title of the feuilleton, as well as in the names of its parts. The ironic image of Soviet Kiev stands in stark contrast to the vision of the city captured in the novel The White Guard. The analysis of the techniques used by the writer in the text of Kiev, the City (e.g. the naive narrator’s mask, a combination of pompous style and colloquial speech) is carried out in order to prove that the feuilleton, in its style and ideas expressed, also shows the author’s rejection of post-revolutionary reality and his attempt to overcome the trauma of the past through laughter. The ironic image of the Soviet reality on the background of eternal spiritual values makes Kiev, the City a harbinger of the problems covered inMikhail Bulgakov’s later works.
EN
In the National Museum in Cracow there is a rare figure showing the so-called thesis sheet, represented the defence of the thesis by Damian Galachowski, the student of the Kiev Academy, and dedicated to Archbishop Rafal Zaborowski. The graphic work was made in 1739 by the Kiev engraver Hryhorij Lewicki. The large graphic thesis sheets are one of the most interesting and representative Baroque works, composed of many motifs, symbols, allegories and emblems. The exact recognition of each of them allows to fully read the contents of the work. The Lewicki’s figure depicts the person of Metropolitan of Kiev and shows his achievements. In the Ukrainian engraver’s view Rafal Zaborowski appears as one of the most prominent representatives of the Kiev clergy of the 18th century. Thanks to him the academy has been restored to its former glory: he expanded academic buildings and student burses, increased professors salaries, introduced discipline and high level of teaching.
EN
1 April 1918 was the day the first in history regular postal airline Vienna-Cracow-Lviv-Kiev- -Vienna was launched. The total flight time was 13 hours and the record flight took 11 hours. The route was divided into ca. 350-km-long stages and covering it with cargo was often very difficult, even dangerous. Still, it was that line which was the first regular postal airline in the world. The author has presented two unknown accounts found in the Österreichische Staatsarchiv – Kriegsarchiv Wien, by Captain Doctor August von Raft-Marwil and Major Tanner, describing that extraordinary courier airline which operated for seven months.
PL
W niniejszym artykule zostaje podjęta próba przedstawienia specyfiki postrzegania przedrewolucyjnego Kijowa przez pisarzy pochodzenia żydowskiego. Przedmiotem badań stały się utwory autobiograficzne Szolema Alejchema (Z jarmarku), Irenè Némirovsky (Wino samotności) oraz Ilji Erenburga (Ludzie, lata, życie). Pokazują one zupełnie różne spojrzenia na Kijów początku XX wieku, wynikające w dużej mierze z kwestii tożsamości narodowej wymienionych twórców.
EN
The theme of the article is to present the specifi cs of perception of Kiev by writers of Jewish origin living in the city at the beginning of the twentieth century. Based on the analysis of autobiographical works by Sholem Aleichem (The Great Fair), Irene Nemirovsky (The Wine of Solitude) and Ilya Ehrenburg (People, Years, Life) the author shows how diff erent the perception of the city was, depending on the issue of the writers’ ethnic identity.
PL
Artykuł pokazuje, że w mitologicznym podtekście dzieł Bułhakowa najważniejsze miejsce zajmują motywy słowiańskiej mitologii (zarówno w wersji pogańskiej, jak i chrześcijańskiej). Jako przykład rozważane jest funkcjonowanie dyskursu "wąż-kurczak" w powieści "Fatalne jaja", opowiadaniach i dramatach. Analiza mitologicznych aluzji znacząco wpływa na interpretację dzieł Bułhakowa i pozwala wyjaśnić strukturę jego artystycznego świata.   
EN
Evgeny Yablokov MIKHAIL BULGAKOV AND SLAVIC MYTHOLOGY Summary The article examines the mythological subtext of Bulgakov's works. The author assumes that motifes of Slavic mythology (both in pagan and Christian versions) occupy an important place in this subtext. The functioning of the "snake-and- chicken"'s discourse in Bulgakov’s novel "Fatal Eggs", stories ("Towel with a Rooster", "The Steel Windpipe "), plays ("Zoyka's Apartment", "Flight ") is considered. The analysis of mythological allusions clarify the interpretation of the writer's works and let specify the structure of his artistic world.
RU
Евгений Яблоков МИХАИЛ БУЛГАКОВ И СЛАВЯНСКАЯ МИФОЛОГИЯ В статье показано, что в мифологическом подтексте булгаковских произведений мотивы славянской мифологии (как в языческом, так и в христианском вариантах) занимают важнейшее место. В качестве примера рассмотрено функционирование «змеино-куриного» дискурса в повести «Роковые яйца», рассказах («Полотенце с петухом», «Стальное горло»), пьесах («Зойкина квартира», «Бег»). Анализ мифологических аллюзий существенно влияет на интерпретацию произведений Булгакова, позволяет уточнить структуру его художественного мира.
EN
The subject of sources to the history of the November uprising is often brought up on the occasion of consequent anniversaries. Despite huge losses in the II World War these sources are relatively rich. Apart from the national sources numerous valuable materials can be found in archives and libraries abroad, i.e. in Moscow, Saint Petersburg and Kiev. The Kiev sources are stored mainly in the Central National Historical Archives of Ukraine. They concern the actions during the uprising, particularly the repressions to the participants of the uprising. These sources are located in various fonds. The most important documents include the fonds of administrative and war-administrative offices among which the most significant is fond 442 – the Office of the Kiev, Podole and Volyn Governor-General. Of great research value is also fond 1342 – the Office of Podole and Volyn temporary War Governor. Other fonds which concern the November Uprising are fonds of governor and district commissions appointed to settle cases concerning the participants of the uprising of 1831 (in total 12 fonds). To investigate the post-uprising repressions of use are also fonds of staffs and administrations of war settlements (16 fonds). Among other fonds in this archive related to the events of 1831 one ought to enumerate: 1. Fonds of the judiciary and prosecutor’s office, particularly fond 484. 2. Fonds of economic institutions, organizations and enterprises, i.e. related to the Kiev arsenal – fond 582. 3. Fonds of educational institutions, offices and cultural-educational societies or organizations, particularly two: a) fond 707 – the Board of the Kiev School District; b) fond 710 – the Kremenets (Volynian) High School – 598 sign. (1819–1834). 4. Collections of maps – fond 2194. 5. Documents concerning the Polish uprisings of 1831 and 1863 – fonds 468 and 489. Moreover, other materials related to the post-uprising repressions may be found in the National Archives of Kiev and in the V. I. Vernadsky National Library of Ukraine.
PL
Temat źródeł do dziejów powstania listopadowego najczęściej powraca przy okazji obchodów kolejnych rocznic. Mimo dużych strat w okresie II wojny światowej źródła te są stosunkowo bogate. Poza źródłami krajowymi wiele cennych materiałów znajduje się w archiwach i bibliotekach zagranicznych, m.in. w Moskwie, Sankt Petersburgu i Kijowie. Źródła kijowskie przechowywane są głównie w Centralnym Państwowym Archiwum Historycznym Ukrainy. Dotyczą one działań powstańczych, a szczególnie represji wobec uczestników powstania. W Centralnym Państwowym Archiwum Historycznym Ukrainy w Kijowie źródła te skupione są w różnorodnych zespołach (fondach). Najważniejsze z nich to zespoły urzędów administracyjnych i wojenno-administracyjnych, wśród których należy przede wszystkim wymienić fond 442 – Kancelaria kijowskiego, podolskiego i wołyńskiego generał-gubernatora. Dużą wartość dla badacza ma również fond 1342 – Kancelaria podolskiego i wołyńskiego tymczasowego gubernatora wojennego. Powstania listopadowego dotyczą także fondy gubernialnych i obwodowych komisji powołanych dla rozstrzygnięcia spraw dotyczących uczestników polskiego powstania 1831 r. (razem 12 fondów). Dla zbadania represji popowstaniowych cenne są też zespoły sztabów i zarządów osad wojskowych (16 fondów). Spośród innych zespołów tego archiwum, w których możemy znaleźć materiały dotyczące wydarzeń 1830 i 1831 r., należy wymienić: 1. Zespoły organów sądowych i prokuratury, szczególnie zaś fond 484. 2. Zespoły gospodarczo-ekonomicznych instytucji, organizacji i przedsiębiorstw, m.in. dotyczące kijowskiego arsenału – fond 582. 3. Zespoły instytucji edukacyjnych, urzędów oraz towarzystw i organizacji kulturalno-oświatowych, w tym dwa najważniejsze: a) fond 707 – Zarząd Kijowskiego Okręgu Szkolnego; b) fond 710 – Liceum Wołyńskie (Krzemienieckie) – 598 sygn. (1819–1834). 4. Kolekcje map – fond 2194. 5. Dokumenty o polskich powstaniach 1831 r. i 1863 r. – fondy 468 i 489. Poza tym w Kijowie materiały odnoszące się w szczególności do represji popowstaniowych możemy znaleźć w Państwowym Archiwum Miasta Kijowa oraz w Bibliotece Narodowej Ukrainy im. W. I. Wiernadskiego.
EN
The article is devoted to the textology of the Introductions to every Gospel written by St. Theophylact, Archbishop of Bulgaria, in two early printed Cyrillic tetraevangelions issued in Kiev in 1697 and 1712. All textological variants characteristic only to these two earliest kievian editions that are presented in this publication prove that these four texts, that precede every Gospel book, undergone redaction (especially the first and the fourth).
PL
Tematem niniejszego artykułu jest obraz rzeczywistości radzieckiej w powieści Aleksieja nikitina Victory Park. Utwór tego rosyjskojęzycznego pisarza ukraińskiego prezentuje szeroką panoramę życia mieszkańców lewobrzeżnego kijowa pierwszej połowy lat 80. XX wieku. Pokolenie późnego okresu zastoju funkcjonuje w świecie skompromitowanych idei, wszechobecnych absurdu i obłudy. Celem artykułu jest próba odpowiedzi na pytanie o źródła powszechnej apatii i beznadziei w powieści nikitina, które w dużej mierze kształtują także młode pokolenie, próbujące odnaleźć swoją drogę w pogrążonej w marazmie rzeczywistości. kluczem do zrozumienia postaw życiowych bohaterów jest analiza specyfiki kijowskiej rzeczywistości, będącej dominantą świata przedstawionego powieści Victory Park. 
EN
The subject of this article is the presentation of Soviet reality in Alexei nikitin’s novel, Victory Park. The Russian-speaking Ukrainian writer presents in this work a wide panorama of the life of the inhabitants of left-bank kiev in the first half of the 1980s. The generation of the late Stagnation Period lives in a world of discre- dited ideas, omnipresent absurdity, and hypocrisy. The aim of the article is to try to locate the sources of widespread apathy and hopelessness in nikitin’s novels, which, to a large extent, shape the young generation trying to find their way in a stagnant reality. The key to understanding the life attitudes of the protagonists is the analysis of the specificity of kiev reality, which is the dominant feature of the world presented in the Victory Park.
EN
The article presents the place of keeping (National Library of Ukraine in Kiev), the state of preservation and the juxtaposition with well-known publications of one of Norwid’s late poems, which is a kind of ironic mockery of the idolatry attitude of the French Republic of that time towards Victor Hugo. The manuscript has not been previously used as an important material in any editorial compilations of Norwid’s works; they used the first print of the poem published as part of Władysław Chodźkiewicz’s feature in the Warsaw periodical “Bluszcz” 1880, vol. 39, and its copy, which Chodźkiewicz received from Norwid. The article presents textual differences (relating mainly to punctuation) between the known versions of the poem and its Kyivan autograph.
PL
The aim of this paper is to present the views of one of prominent Polish chemists, namely Bohdan Szyszkowski. Presented views are concerning the relation of the concepts of aether, continuity and causality in the context of revolution in physics that took place at the turn of 19th and 20th centuries. The issues particularly concern his thoughts related to the old quantum theory and special relativity. In particular, this article presents the role of these concepts in the foundations of physics and – in a more general aspect – in the recognized fields of knowledge. The nature of Szyszkowski’s analysis allows him to be considered a very interesting thinker in the area that today is called the philosophy of physics or, perhaps more accurately, the philosophy in science. An important observation made by Szyszkowski is emphasized that mathematical structures cannot have physical properties. Attention was also paid to the Polish intellectual community, which was formed in Kiev before 1919.
EN
Relations between the Ukrainian Church and Constantinople were difficult. This goes back as far as 988, when the Christianisation of the Rus created a strong alliance between Kiev and the Byzantine Empire. There were times when Constantinople had no influence over the Kiev Metropolis. During the Mongolian invasion in 1240, the Ukranian region was broken up and Kiev lost its power. The headquarters of the Kiev Metropolis were first moved to Wlodzimierz nad Klazma in 1299 and then to Moscow in1325. In 1458 the Metropolis of Kiev was divided into two; Kiev and Moscow, but Kiev still remained under the jurisdiction of the Patriarchate of Constantinople. Since that time, the orthodox hierarchs of Moscow no longer adhered to the title Bishop of Kiev and the whole of Rus and in 1588 the Patriarchate of Moscow was founded. In 1596 when  the Union of Brest was formed,  the orthodox church of the Polish Lithuanian Commonwealth was not liquidated. Instead it was formally revived in 1620 and in 1632 it was officially recognized by king Wladyslaw Waza. In 1686 the Metropolis of Kiev which until that time was under the Patriarchate of Constantinople was handed over to the jurisdiction of Moscow. It was tsarist diplomats that bribed the Ottoman Sultan of the time to force the Patriarchate to issue a decree giving Moscow jurisdiction over the Metropolis of Kiev. In the beginning of the 19th century, Kiev lost its Metropolitan status and became a regular diocese of the Russian Orthodox Church. Only in the beginning of the 20thcentury, during the time of the Ukrainian revolution were efforts made to create an independent Church of Ukraine. In 1919 the autocephaly was announced, but the Patriarchate of Constantinople did not recognize it. . The structure of this Church was soon to be liquidated and it was restored again after the second world war at the time when Hitler occupied the Ukraine. In 1992, after the dissolution of the Soviet Union, when Ukraine gained its independence, the Metropolitan of Kiev requested that the Orthodox Church of Ukraine becomes autocephalous but his request was rejected by the Patriarchate of Moscow. Until 2018 the Patriarchate of Kiev and the autocephalous Church remained unrecognized and thus considered schismatic. In 2018 the Ecumenical Patriarchate of Constantinople looked  into the matter and on 5thJanuary 2019, the Orthodox Church of Ukraine received it’s tomos of autocephaly from Constantinople. The Patriarchate of Moscow opposed the decision of Constantinople and as a result refused to perform a common Eucharist with the new Church of Ukraine and with the Patriarchate of Constantinople.
PL
Prezentowany artykuł ma na celu opisanie najważniejszych cech sektora usług restauracyjnych i jego organizacji terytorialnej w okręgu kijowskim. Gastronomia może być postrzegana jako część ekonomiki, która w ciągu ostatnich dziesięcioleci notuje dynamiczny rozwój, przyczyniając się do wzrostu gospodarczego i zapewniając miejsca pracy. Stanowi także istotną część infrastruktury turystycznej i przestrzeni publicznej, ułatwia komunikację międzyludzką i stanowi interesujące zjawisko kulturowe, które rozpowszechnia wiedzę i różne tradycje żywieniowe na całym świecie. W regionie kijowskim procesy rozwoju gastronomii można zaobserwować we wszystkich rodzajach lokali konsumpcyjnych – w kawiarniach, barach, usługach kateringowych, restauracjach, punktach typu fast food, w sferze dostaw itp. W pracy podkreślono znaczenie obiektów restauracyjnych w gospodarce. Przeprowadzono analizę danych statystycznych i osobistą obserwację przestrzennej organizacji obiektów restauracyjnych w Kijowie i przyległych terenach. Dokonano również analizy korelacji powiązań przemysłu restauracyjnego i analizę klastrów w celu określenia różnic regionalnych. Przeprowadzone badania prowadzą do określenia stanu rozwoju obiektów gastronomicznych z perspektywy geografii człowieka i prezentują najnowsze trendy w rozwoju tej dziedziny gospodarki. Ponadto zidentyfikowano problemy i sposoby poprawy branży restauracyjnej w Kijowie, a także zaproponowano kilka zaleceń dotyczących dalszych badań.
EN
This paper is intended to describe the most significant features of restaurant facilities industry and its territorial organization in Kyiv region. Restaurant facilities can bee seen as a part of economics that develops rapidly during last decades, ensuring economic growth and providing workplaces. It is also a crucial part of the tourist infrastructure, public space and an interesting cultural phenomenon which broadens knowledge about food traditions around the world. Kyiv region is such a part of Ukraine where processes of the restaurant facilities development could be observed multilaterally through all types of restaurant enterprises – cafes, bars, catering, restaurants, street food points, delivery etc. In the paper, the significance of restaurant facilities in the economy has been outlined. The analysis of statistic data and personal observations has been conducted to examin the condition of territorial organization of restaurant facilities of Kyiv city and adjoying territories. Correlation analysis of restaurant industry interconnections and cluster analysis for determination of regional differences has been implemented. Presented research leads to the condition of restaurants facilities industry from the perspective of the Human Geography and demonstrates the latest trends in its development. In addition, problems and ways of improving the restaurant industry in Kiev has been identified and finally some recommendations about proceeding research has been proposed.
EN
The sources and material for the study of the history of Catholic monasteries in Podolia, Volhynia and the Kiev region, dissolved throughout the 19th century by the Russian government, are greatly dispersed. Documents of interest to the project can be found in several state archives in Ukraine. The biggest collections are kept in the Central State Historical Archives of Ukraine in Kiev (Центральний державний історичний архів України, м. Київ) and the State District Archives in Kiev (Державний архів Київської області) and Zhytomyr (Державний архів Житомирської області). In the article the author presents the results of a survey of these archive holdings, pointing to the most interesting documents. He has managed to make a detailed inventory of several archive units – associated with dissolutions of monasteries (including the 1832 dissolution) of greatest importance to the project, to analyse a dozen or so files documenting the dissolutions of the various monasteries (of the Franciscan Observants (Bernardines) in Dubno, the Franciscans in Mezhyrich, the Discalced Carmelites in Berdychiv and Kamyanets-Podilsky, or the Capuchins in Brusyliv, Khodorkiv, Starokostiantyniv and Vinnytsia), as well as to collect a lot of material dealing with the fate of friars from the dissolved monasteries and to indicate fonds in which interesting documents might be found.
Dzieje Najnowsze
|
2022
|
vol. 54
|
issue 2
49-62
EN
The article presents the activity of Jan Karszo-Siedlewski for the benefit of the Catholic Church in Kiev from 1935 to 1937 based on materials disclosed for the first time from the surveillance of the Polish diplomat by the Soviet military counterintelligence.
PL
Na podstawie po raz pierwszy ujawnionych materiałów z inwigilacji przez sowiecki kontrwywiad wojskowy Jana Karszo-Siedlewskiego przedstawiona została działalność polskiego dyplomaty na rzecz Kościoła katolickiego w Kijowie w latach 1935–1937.
DE
Der Artikel behandelt die Entwicklung des Netzes katholischer Kirchen und öffentlicher Kapellen lateinischen Ritus´ auf dem Gebiet der Diözese Kiew im Zeitraum von der Mitte des 17. bis zum Ende des 18. Jahrhunderts. Diese Problematik ist bisher nicht detailliert bearbeitet worden, und der vorliegende Beitrag soll die diesbezügliche Lücke in der Geschichtsschreibung wenigstens teilweise ausfüllen. Auf der Grundlage von Quellen aus dem 18. Jahrhundert (hauptsächlich der Beschreibung der Diözese Kiew durch Archidiakon Karol Ostrowski aus dem Jahre 1748, der Synodalstatuten der Diözese Kiew aus den sechziger Jahren des 18. Jahrhunderts sowie der im Jahre 1782 vom Generaloffizial Michał Pałucki verfassten, nur als Handschrift vorliegenden Zustandsbeschreibung der Diözese) sowie verstreuter Erwähnungen in der einschlägigen Literatur wurde der Versuch einer Rekonstruktion des Zustandes des kirchlichern Netzes auf dem Gebiet der Diözee Kiew in der zweiten Hälfte des 17. Jahrhunderts sowie des Prozesses ihres schrittweisen Ausbaus und ihrer Erweiterung im darauffolgenden Jahrhundert unternommen. Im Ergebnis wurden Zahlen der auf dem genanten Territorium zu verschiedenen Zeitpunkten funktionierenden Kirchen ermittelt, die von den in der Literatur angetroffenen Angaben etwas abweichen. Es wurde festgestellt, dass am Ende der zwanziger Jahre des 18. Jahrhunderts mindestens 15 Kirchen in Betrieb waren (damals konnten das sogar 20 sein), um 1750 über 25, um 1760 über 30 und im Jahre 1782 fast 50 Kirchen. Letztendlich gab es um 1800 auf dem uns interessierenden Territorium 53 katholische Kirchen, von denen mindestens 42 Pfarrkirchen waren (11 dieser Pfarreien wurden von Orden geführt).
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