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Intertextuality of C.S. Lewis’ The Last Battle

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Zegarlińska M., University of Gdańsk, Magdalena Zegarlińska is a senior year graduate student at the University of Gdansk. She is an author of various articles devoted to film studies and British literature a. a. m. o. r. g. c. r. i. t. a. o. d.
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
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2014
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vol. 2
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issue 1
EN
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral and allegorical levels, eventually reaching the anagogical level. While reading The Chronicles, one is able to notice various references to other written works, interwoven into the text, with the Bible, chivalric romances and beast fables being the most prominent sources of intertextual allusions. In The Last Battle Lewis attempts to answer John Donne’s question, “What if this present were the world’s last night?" (Holy Sonnet XIII) and presents a comprehensive image of Narnian apocalypse and life after death in Aslan’s country. The following paper will present the most noteworthy intertextual references in the final volume of The Narniad.
2
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Dla kogo pracuje dziś Król Artur? Użycia i nadużycia mitu arturiańskiego

100%
ROJEK P.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2016
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vol. 18
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issue 27
111-121
EN
Who does King Arthur work for today? Uses and abuses of the Arthurian myth Analyzing the phenomenon of one of the most popular European myths - the Arthurian myth - the author attempts to answer the question of the difference between using and abusing myths. An insight into the sources of Arthurian tradition proves that even the oldest and most important literary incar- nations of the myth were used by their authors as a means of speaking about contemporary political and sociological issues. However, the Arthurian films (which are the main subject of this research) reinforce the thesis about a distinctive feature of a myth itself to be immensely flexible and able to absorb various cultural content. The study examines in detail the film King Arthur (2004, dir. Antoine Fuqua). Its creators seem to come very close to the border between use and abuse of a myth by denying the mythical aspect of the Arthurian legends
3
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Intertextuality of C.S. Lewis’ The Last Battle

100%
Zegarlińska M.
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
|
2014
|
vol. 2
|
issue 1
50-58
EN
The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral and allegorical levels, eventually reaching the anagogical level. While reading The Chronicles, one is able to notice various references to other written works, interwoven into the text, with the Bible, chivalric romances and beast fables being the most prominent sources of intertextual allusions. In The Last Battle Lewis attempts to answer John Donne’s question, “What if this present were the world’s last night?" (Holy Sonnet XIII) and presents a comprehensive image of Narnian apocalypse and life after death in Aslan’s country. The following paper will present the most noteworthy intertextual references in the final volume of The Narniad.
4
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Religious Conflicts and Their Impact on King Arthur’s Reign in Marion Zimmer Bradley’s The Mists of Avalon

100%
Łaszkiewicz W.
Acta Neophilologica
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2017
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vol. XIX/2
133-143
EN
The aim of the following paper is to examine the conflict between the cult of the Mother Goddess and Christianity, which affects King Arthur’s reign in Marion Zimmer Bradley’s original retelling of Arthurian legends – The Mists of Avalon (1983). The religious conflict presented in the novel is inextricably linked with representations of femininity and the figures of Morgaine (Morgan le Fay) and Queen Gwenhwyfar, who are dedicated, respectively, to Avalon and the Church. By investigating both women’s beliefs, actions, and relationship with Arthur, this paper will demonstrate how in Bradley’s retelling the transition from the worship of the Goddess to Christianity conditions King Arthur’s reign and ultimately contributes to his downfall.
5
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Postava krále Artuše jako prostředek legitimizace moci. Edmund Spenser a John Dee

67%
Špiclová Z.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. 54
135-147
EN
The article deals with two essential aspects of the policy of Queen Elizabeth I. — the enforcement of Protestantism as the state religion and the claim of the British Empire to the New World — and its justification in two famous works: the Faerie Queene by Edmund Spenser and Brytanici Imperii Limites by John Dee. They both used the character of King Arthur to support Queen Elizabeth’s policy.
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