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Teoria i praktyka rekonstrukcji na przykładzie malowideł ściennych w kaplicy św. Jakuba w Kościele Mariackim w Gdańsku

100%

Diakowska-Czarnota A., Kozarzewski M.

Ochrona Zabytków

1988

issue 2

110-119

After the overtaking of the church by Protestants, mural paintings in St Jacob’s Chapel in the Church of Our Lady in Gdańsk dating back to the thirties of the 15th century were painted white and until recently no one has known of their existence. This article is the second report published by the same authors on paintings in St Jacob's chapel. The first of them („Ochrona Zabytkow", 1983, nos 3 -4 , p. 258) concerned paintings on the buttress depicting a figure of Saint Jacobs and a scene of the Last Judgement, which were uncovered, preserved and restored in 1982. The present article contains a report of the uncovering, preservation and resoration of paintings on the walls of the altar's niche. The work was completed in 1986. The paintings in the niche depict the Holy Trinity, passion scenes from The Last Supper to Descent from the Cross as well as The Entombment and Descent to the Limbo. The two conservation projects, diffe rin g from each other with the employed method of making-ups, on tho buttress "tra tte g io ", in the niche "w a sh ing ", provided inspiration for a number of purposes and methods of restoration. These considerations provide the basic content of the present article. There was some reflection on whether or not and how to restore and how to reconcile some inconsistency between the value of the monument as a document and its d id a c tic and aesthetic function in a sacral in te rior. Qu o ting various voices and opinions the authors en deavoured to substantiate the decision to undertake reconstruction. A separate place was devoted to the method of introduced complements. An analysis was made of the reconstruction carried out on the buttress by the „tra tte g - g io " technique and its theoretical assumptions were considered. As a result of that „tra tte g io ” was replaced with washing, using water-colours fo r that purpose. To illustrate d ifficu ltie s encountered by the executor, restoration work on some scenes was described. Attention was paid to the importance of an iconographie interpretation to the form of making-ups introduced and the need fo r cooperation with an a rt historian in this field. Of interest is an inconsistency described herein of the historian and the conservato r in the scene of "The Entombment". Finally, the authors draw a ttention to the importance of a clear formulation of assumptions, thanks to which it is possible to foresee a fin a l form of the executed conservation project.

‘Secundum notulam dominorum teutonicorum’: A New Look at the Repertoire and Genesis of Manuscript PL-GD Mar. F 406

80%

Watkowski K., Ziółkowski P.

Muzyka

2023

vol. 68

issue 1

20-61

Ta kolejna po pracach Maciejewskiego i Jasiewicza publikacja poświęcona rękopisowi PL-GD Mar. F 406 pozwala na nowo spojrzeć na gdański zabytek i skorygować opinie sformułowane przez poprzednich badaczy. W artykule powrócono do kwestii struktury księgi oraz repertuaru ordinarium missae. Po raz pierwszy analizie poddane zostały kompozycje wykonywane ad offertorium, śpiewy święta Nawiedzenia NMP oraz korpus utworów przeznaczonych na Wielki Tydzień i okres wielkanocny, wśród których znaleziono śpiewy unikatowe. Przedstawione rozważania pozwoliły bezsprzecznie powiązać zabytek z liturgią Zakonu Niemieckiego, a w sposób szczególny z gdańskim kościołem Mariackim. Zademonstrowano również związki kodeksu z tradycjami środkowoeuropejskimi – nie tylko z zabytkami z Polski, ale również z rękopisami czeskimi. Analiza repertuaru pozwoliła ponadto z większą dokładnością określić kolejność, w jakiej kompletowano zawartość księgi i datować poszczególne jej części pomiędzy pierwszą ćwiercią XV wieku a przełomem XV i XVI wieku. Pokazano również motywacje, jakie towarzyszyły twórcom rękopisu i wskazano niedostrzegany wcześniej w takim zakresie zakres tematyczny zainteresowań użytkowników kodeksu – obok pobożności maryjnej miejsce znalazły kult Najświętszego Sakramentu oraz elementy zaczerpnięte z liturgii Wielkiego Tygodnia i Wielkanocy.

In the wake of publications by Maciejewski and Jasiewicz devoted to manuscript PL-GD Mar. F 406, the present article offers a fresh perspective on this Gdańsk source and revises some of those researchers’ opinions. The structure of the manuscript is re-examined, as is the repertory of the Ordinary. Chants for the Offertory and the Feast of the Visitation, as well as the body of compositions for the Holy Week and Eastertide (some of which are unica), are analysed here for the first time. The presented findings make it possible to relate this source unequivocally to the liturgy of the Teutonic Order, and especially to the church of St Mary in Gdańsk. Also shown are the codex’s links to Central European traditions (to manuscripts from Poland and Bohemia). Analysis of the repertoire also allows us to establish more accurately the order in which the volume was compiled and date its individual sections to the period between the first quarter of the fifteenth century and the turn of the sixteenth century. The compilers’ motives are analysed, and attention is drawn to the range of themes covered by the codex, not previously noted to such an extent: apart from Marian piety, also the cult of the Holy Sacrament and elements of the Holy Week and Easter liturgies.

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1 Muzyka

1 Ochrona Zabytków

1 Diakowska-Czarnota A.

1 Kozarzewski M.

1 Watkowski K.

1 Ziółkowski P.

1 2023

1 1988

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Teoria i praktyka rekonstrukcji na przykładzie malowideł ściennych w kaplicy św. Jakuba w Kościele Mariackim w Gdańsku

‘Secundum notulam dominorum teutonicorum’: A New Look at the Repertoire and Genesis of Manuscript PL-GD Mar. F 406