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in the keywords:  Krystian Lupa, transparency in scenography, Factory 2, City of Dream
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The article is an attempt to describe some of the most important transparent constructions in Krystian Lupa’s theatre and to explain their functions. In the text, I focused on the main and most frequently repeated transparent elements of the scenography; prisms (which fulfil the role of internal frames), transparent walls (places where actors are peeping over), and bars and grids which suggest closing some space off or isolating the actors.
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