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Wien unter Ferdinand I. 1521–1564. Über die Verflechtungen von Fürst, Stadt und Residenz aus kunsthistorischer Perspektive

100%
Holzschuh-Hofer R.
Historie – Otázky – Problémy (History, Issues, Problems)
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2015
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vol. 7
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issue 2
60-70
EN
Driven by his political ambition to obtain the imperial title following his brother Charles V as well as being under the Ottoman threat, Ferdinand I had advocated Vienna’s establishment as the residential capital since 1522. The architecture of his main residence, the Vienna Hofburg, acquired with his imperial guiding principle a corresponding iconic character.
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The Prince, the Noblemen and the Painter: Collections of Works of Art in Copenhagen Between 1800 and 1848

100%
Christensen C.
Artium Quaestiones
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2023
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issue 34
81-109
EN
The history of collecting in Denmark and Norway in the 19th century is intimately connected with the history of the painters and sculptors active during that period. Only in Copenhagen were the Royal and private collections accessible to the artists, for whom copying paintings by Old Masters formed an important part of their curriculum. Major collectors of the Age were Prince Christian Frederik (later King Christian VIII of Denmark), who mainly acquired paintings and sculptures by contemporary artists, and the portrait painter Christian Albrecht Jensen, whose preference was to buy and sell the works of Old Masters. In Copenhagen, the collections of the Counts Moltke, which mainly consisted of works by Dutch painters, was open to the public, while the Royal Collection (today a part of Statens Museum for Kunst) could only be visited from 1827 onwards. None of the three collections dealt with in the present article have survived until today, while the works of art and the antiques belonging to the sculptor Bertel Thorvaldsen are at present housed in the museum bearing his name.
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