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World Literature Studies
|
2023
|
vol. 15
|
issue 3
89 – 98
EN
This article builds on research prompted by studies of small literatures as well as the so-called spatial turn in cultural studies. Attention is focused on the representation of place in late 19th-century literature and its changing meanings in this period of radical social transformation. Through theoretical observations as well as case studies of Latvian literature that deal with two novellas by Rūdolfs Blaumanis and a novel by Andrievs Niedra, this investigation scrutinizes the transformations of the sense of place, the estrangement of a person from his or her environment linked to mobility as well as the manifestations of liminality, in particular those attributed to various contact zones. The aspects of bodily reception of place are also looked at as an important condition of individual existence in the world.
EN
The aim of this paper is to trace different representations of the encounters with the world of Islam in Latvian literary culture of the 19th and early 20th century. The Latvian case is contextualized within trends in 19th-century Orientalist representations shaped by the Western European and Russian imperial imagination. Other nations, and especially those with different religious beliefs and practices, have characteristically been perceived either with an incredulity characteristic to Western attitudes toward the Orient, or with the inevitability of direct confrontation and “Othering” in the cases of military conflicts involving the imperial forces of Russian empire and their political antagonists. At the same time, personal encounters that occurred in geographically peripheral areas of Russia as well as beyond the state borders, often led to unexpected revelations, bringing about an understanding of the fate shared with other, relatively distant societies and cultures. In our paper we demonstrate that these experiences played a substantial role not only in establishing first-hand contacts with other cultures but also contributed to the identity formation of the Latvian nation. We first provide theoretical reflections of the topic that position the discussed representations within broader contexts of Orientalism, as introduced by Edward Said, and point to the differences between the classical Orientalism and “frontier Orientalism” of close and immediate contacts, as proposed by Andre Gingrich. In the following, we focus on different images and stereotypes characteristic to the Orientalist representations in Latvian literary culture and propose a subdivision of different kinds of Orientalism. They include representations of potentially “bad” Muslims, perceived as a real or imaginary threat; travel notes and personal impressions in the vein of classical Orientalism but with a considerably greater degree of involvement if compared to the above case; and, finally, subjective portrayals of domesticated or “good” Orientals who embody a number of admirable features as they share their lives with the Christian community within the Russian empire. The first case deals predominantly with the Turks, who are involved in warfare with the Russian imperial forces; the second features both imagined and first-hand experience of exotic lands with a substantial presence of Muslim culture, legends, tales and historical monuments; the third is focused on the life in the Caucasus before and during the Great War.
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MEDZI ROMANTIZMOM A MODERNOU

75%
EN
The paper describes the theoretical and literary-historical aspects of European modernism. It focuses on the issue of neo-romanticism and modernism in Latvian literature, both artistic streams developed in it side by side from the turn of the 19th and 20th century to approximately the year 1914. The author places neo-romanticism and modernism into the wider literary context, attempts to define common features and differences between them and draws attention to updating of antique Greek literature and philosophy. The paper explores the character of Latvian neo-romanticism and modernism, describes Latvian modernism via the individual streams – decadence, impressionism, symbolism and secession. It deals with the question of contribution of neo-romanticism and modernism for the literary context of the times.
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