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ARS
|
2016
|
vol. 49
|
issue 2
172 – 189
EN
The main objective of the presented study is an iconographic analysis of votive triptych in All Saints Church in Ludrová - Kút in Liptov region. In the introductory part, the author deals with the historiography of murals in Ludrová and also provides a brief history. The triptych on the north nave of the church was discovered by conservator Mikuláš Štalmach in 1960. A detailed iconographic analysis of this wall painting from the late 14th century or from the time around year 1400 was missing in the Slovak historiography of art history. Based on the formal and comparative analysis, the author makes new discoveries and explores the work of art in the context of a new piety (the author understands devotio moderna in the broad sense of the word) and ars moriendi.
EN
In recent years, we have been monitoring a number of new archaeological findings from the Liptov Basin, either from well-known or newly discovered archaeological sites. The well-known archeological site Pod Rohačkou is no exception. Together with the Rohačka fortified settlement and the surrounding fortifications Bodová, Končistý, Iľanovská poludnica and Demänovská hora, they form a micro-region with traces of settlement from the Bronze Age to the Middle Ages. In 2018, the Žilina Regional Monuments Board began a systematic archaeological research of the archaeological site Pod Rohačkou under the Rohačka fortifications. During the six seasons so far, a set of more than 350 items from various time periods from prehistory to modern times has been obtained. Based on previous knowledge, the polycuctural character of the Pod Rohačkou site can be defined as the period from the Bronze Age to the Roman period, with the most significant representation of the Roman phase of the Púchov culture. It is this period that includes finding no. 67, which is an incomplete belt clasp, so-called Noric-Pannonian type and is the subject of this short contribution.
EN
Chronology of finds from Liptovsky Trnovec corresponds to the oldest period of burying at the necropolis in Martin, which is synchronous with the BB2 (C1) phase. This dating was proved by a find of bronze bracelet from the Object 1 at Liptovsky Trnovec, with its shape and production manner typical of older phases of the Tumulus culture spread out on the territories of the Palatinate, Swabian Alps and Bohemia. Longer duration of the Tumulus-Post-Otomani tradition within the area under study is documented also by simultaneous occurrence (in the Object 55) of an amphora made in this style and decorated with lines of incisions and thin-walled vessels representing by its style the tradition of the Lusatian culture early phase. They are beakers decorated with big shallow imprints. The early Lusatian pottery in the upper Vah basin is dated to the BD-HA1 phase. Finds from the Spis region prove the style was spreading eastward with the incipient HA stage. The last stylistic tradition, which can be identified on pottery finds from Liptovsky Trnovec, is that applied on a vessel from the Object 68. Technological qualities (black outside surface and red insides) and way of decoration classify this vessel into the stylistic group that occurred in cultures with cannelured pottery in the Carpathian basin (e. g. the Gava and Kyjatice cultures). This vessel has been dated into the HA stage or a bit later. The settlement at the Ravence position in Liptovsky Trnovec was probably continuously settled during a longer time interval (the 16th - 11th centuries BC). During this period the style of pottery decoration on the settlement was gradually changing.
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