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“NECHŤ STÁLOST JE DOKLADEM TVÉ CTI...“: „CONSTANT ART“ LADY MARY WROTH

100%
Kastnerová M.
ESPES
|
2018
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vol. 7
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issue 1
10 - 23
EN
The paper intends to analyse developing of the literary representation of women in Elizabethan and Jacobean culture, forming an integral part of female authorship during this period. However, instead of taking aim at the male poetic tradition, the genius of Wroth is to absorb it and use it for her own ends. Reclaiming the virtues of the woman through constancy, she upends the conventional views of the woman. Thus, Wroth strengthens the autonomy of the woman by allowing her to make the decision to accept a role subordinate to man.
2
Content available remote

K historii pojmu literární kultura

100%
Samal P.
Česká literatura (Czech Literature)
|
2005
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vol. 53
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issue 4
541-555
EN
The essay provides and overview of the shifts and changes in the use of the term 'literary culture', chiefly in the context of Polish literary studies.
3
Content available remote

ROMÁNY NA POKRAČOVÁNÍ V SITUACI DIGITÁLNÍHO ZVEŘEJNĚNÍ

88%
Piorecký K.
World Literature Studies
|
2013
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vol. 5 (22)
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issue 3
73 – 90
EN
The paper verifies the adequacy of the existing methodological tools of literary studies applied to serialized narration on the basis of fairly extensive research into Czech material (particularly presented in the collection of papers entitled Povídka, román a periodický tisk v 19. a 20. století – The Short Story, Novel and Periodical Press in the 19th and 20th century, 2005) and judges their applicability to narratives modelled by the specific situation of the serialized digital publication.
4
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[recenzja:] Kraków – Lwów: książki, czasopisma, biblioteki XIX i XX wieku, pod red. Haliny Kosętki, Barbary Góry, Ewy Wójcik, t. 9, Kraków 2009

88%
Żynda M.
Toruńskie Studia Bibliologiczne
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2010
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vol. 3
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issue 1(4)
147-148
EN
Overview of the ninth volume of the series 'Krakow - Lwow: books, journals, libraries of the XIX and XX century', the aftermath of IX International Scientific Conference bearing the same title, held in Krakow on 21–23 November 2007 at the initiative of the Institute of Information and Library Science at Pedagogical University of Cracow. The review describes the themes of the papers presented at the meeting, including issues such as publishing market, libraries and literary culture of Krakow, Lwow, or the whole area of Galicja in the nineteenth and twentieth centuries.
5
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Co to znamená, když se řekne "literary culture"?

88%
Janacek P.
Česká literatura (Czech Literature)
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2005
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vol. 53
|
issue 4
556-569
EN
This essay, on the use of the term 'literary culture' in Anglophone literary studies as used in the book by Peter D. McDonald, considers its methodological background - namely, Pierre Bourdieu's conception of the 'history of the book' as presented by Robert Darnton.
6
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WRITING THE HISTORY OF THE EAST-CENTRAL EUROPEAN LITERARY CULTURES: A RETROSPECT (Pisanie Dejin literarnych kultur vychodo-strednej Europy: Retrospektiva.)

75%
Cornis-Pope M.
World Literature Studies
|
2010
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vol. 2 (19)
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issue 4
39-48
EN
The article recounts the experience from the cooperation with Professor John Neubauer on the collective work History of the Literary Cultures of East-Central Europe, which was produced by more than a hundred contributors from various countries. The work's aim is to map the 'literary ethnographies' of East-Central Europe, a region that at its best has functioned as a 'transitional, transmittory and liminal' area between variously positioned cultures and influences. This multivolume work was sponsored by ICLA and published by John Benjamins Press in 2004-2010. The project was inspired by the comparative-intercultural approach to the literary history outlined in Mario J. Valdes and Linda Hutcheon's position paper in 1995 and applied to the sister project on Latin American Literatures. Building on the theoretical suggestions offered by them, we decided to organize our history around five kinds of 'nodes'-temporal, generic, topographic, institutional, and figural-conceived by us and our contributors as points of contact or interfaces at which various literatures, genres, and historical moments come together, transcending national definitions. The nodal approach has offered us a more flexible model for the discussion of literature in a continually shifting geo-political and cultural environment such as that of the East-Central Europe. The work undertaken in the History of the Literary Cultures of East-Central Europe will, hopefully, foreground alternative ways of identity making in the area, which emphasize local, regional and trans-national possibilities.
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