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Motto v českých dílech 90. let dvacátého století

100%
Müllerová L.
Bohemistyka
|
2011
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vol. 11
|
issue 2
113-122
EN
Authoress, in her article, is describing a motto, which is a short text, a comment to the other text. Motto is explaining title of work, providing „instruction“ to its interpretation, as well as creating appropriate ambience to its perception. Authoress presents appearance of motto in thirty selected books published by different Czech publishers in the last decade of the XX century.
2
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Předmluva a doslov jako párové peritexty knihy

88%
Müllerová L.
Bohemistyka
|
2010
|
vol. 10
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issue 2
133-152
EN
The author focuses on two elements which comprise the frame of a literary work of art: the preface and the ending, sometimes called the prologue and epilogue. They belong to the unstable elements of a work of art, mainly because sometimes the authors include only one of them. The function of a preface is to explain the reader why he or she should read the work, which is noticeable in all the arguments included (i.e. the work of a very talented artist, interesting topic, unique analysis of a problem etc.). There are also elements explaining the genesis of the work or its context, sometimes clues how to understand the work of art. In the ending the author or the publisher of a literary work of art provides further information, whose aim is to influence the way of its interpretation. The ending may also contain information about the author (his or her life and other works), indicating the context of the work’s origin. The author warns us that the preface and the ending ought not to be mistaken with academic commentary, which is a part of the academic addition to the work of art.
3

SKÚMANIE JAZYKA LITERÁRNEHO DIELA V ČASOPISE SLOVENSKÁ REČ

88%
Vaňko J.
Slovenská reč (Slovak Language)
|
2022
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vol. 87
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issue 3
588 – 606
EN
The issue of the language of a literary work was at the centre of attention of the Slovenská reč journal from the very beginning of its existence. It was related to the efforts of the editors to establish the standard of literary Slovak and increase its culture in practice, with a special emphasis on the culture and purity of the language of literature. Therefore, the contributions about the language of the literary works of Slovak writers are mainly published in the years 1932-1939, i.e. in the period of the peak of the purist focus of the journal, clearly of a language-critical nature: they point out language errors, especially Bohemisms in the analysed literary texts. After 1945, when Slovenská reč as a journal for the Slovak language research definitively abandoned the position of purism, contributions about the language of a literary work are oriented towards a functional analysis and interpretation of the language of a literary text.
4

Sztuka a prawda

88%
Makota J.
Kwartalnik Filozoficzny
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2010
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vol. 38
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issue 3
7-23
EN
The truth of a work of art can be understood either in the classical sense, as a relationship between it and reality, or in the sense of coherence, having to do with the internal structure of the work. Ingarden denied truth in the classical sense to literary works. Other thinkers, such as Stróżewski, Gadamer, and Sparshott, are inclined to admit the possibility of a truth-oriented interpretation of literary works. The author of the article presents analyses of a number of short poems as examples of such interpretations.
5
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Jak je „udělána” Čepova Polní tráva z hlediska zobrazení literární krajiny a prostoru

88%
Změlík R.
Bohemistyka
|
2011
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vol. 11
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issue 2
97-112
EN
Author describes a way of construction of literary space in the short story of J. Čep entitled Polní tráva. He emphasizes meaning of prose rhythm described by a writer. Rhythm is the most important component of construction, not only stylistic, but above all of structural and semantic construction of described text. Author is especially looking at scenery, which is a dominating topic of J. Čep’s short story.
6
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REMEDIÁCIA AKO MANIPULOVANIE S OBRAZOM (NA PRÍKLADE FOTOGRAFIE)

88%
Suwara B.
World Literature Studies
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2013
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vol. 5 (22)
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issue 3
54 – 72
EN
Photography is considered to be an old media that remediated into the digital medium. Bolter and Grusin do not disapprove of the gesture of using new media within the old (subversive acting). The study presents this tendency on the example of specific literary works (from the current Polish and Slovak literatures), in which strategies of narration are obviously “discovered” by the authors under the influence of today’s image culture. Strategies of handling the photography used by the authors prove the fact that even the writers manipulate with the image in different ways. Modal framework of this kind of literary manipulation the photography is – surprisingly, like in the case of visual media – animation of the image.
7
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Karel Hynek Mácha a historia

88%
Pająk A.
Bohemistyka
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2010
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vol. 10
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issue 4
274-290
EN
The objective of the present article is to analyze the main characters and the historical events in the short prose Křivoklad by Karel Hynek Mácha. The paper analyses the main characters' motivations – the king and his executioner – and their mutual relation. The plot development is a proof of the statement that the Premyslid’s regale years were for Mácha a period of national prosperity, after which the story and the history is heading towards an inevitable decline.
8
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KÁNON SLOVENSKEJ LITERATÚRY A KÁNONICKÝ STATUS LITERÁRNEHO DIELA

75%
Rédey Z.
World Literature Studies
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2015
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vol. 7 (24)
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issue 3
16 - 29
EN
The contribution focuses on the question: to what extent is the Slovak literary canon grounded in the literary and aesthetic value of the texts it contains? In what sense, or, to what extent is the canon determined by eventual extra-literary, mainly ideological, matters? The paper does not examine the problem in its full extent; it rather demonstrates this upon the synecdochical choice of exemplary literary works, especially on the poetry by P. O. Hviezdoslav who emblematically embodies the national literary classic, as well as on the poetry by J. Ondruš. The paper points to a more general tendency in the practice of contemporary Slovak literary historiography which tends to classify work as canonical, disregarding its aesthetic value – structured at the level of intensional meaning – and considers only its extensional semantics. To be more precise, it rather follows an “extensionally represented” content – mediated in its different meta-textual form – which, on this level, is interpreted from extra-literary, mainly ideological, standpoints.
9
Content available remote

DEJINY LITERATÚRY AKO KONŠTRUKCIA MOŽNÝCH SVETOV

75%
Vajdová L.
World Literature Studies
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2014
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vol. 6 (23)
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issue 2
24 – 35
EN
Historiography has been in the centre of attention for decades, but its understanding constantly expands and the questions it asks concern an increasing number of areas, regardless of disciplinary borders. The article deals with literary history as a construction of conceivable worlds in the context of historiography and literary works. Lubomír Doležel is an important theorist in this area, whose work Fiction and history in the era of postmodernism (Fikce a historie v období postmoderny, 2008) elaborates Doležel’s earlier work on fictional worlds in literature by examining the questions of historiography and its conceptualizations of both conceivable and inconceivable worlds.
10

VIDINA A SKUTOČNOSŤ LEOPOLDA ABAFIHO

75%
Pácalová J.
Slovenská literatúra (Slovak Literature)
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2015
|
vol. 62
|
issue 5
410 – 426
EN
The paper analyses a – yet not reflected on – prose by a marginal Romantic writer Leopold Abafi (1827 – 1883) Vidina a skutočnosť /Illusion and Reality/, which was published as a serial in the magazine Sokol (1860). It deals with one of the major topics of Slovak Romantics – love of your homeland and determination to give yourself over to it, while the reduced plot and the emphasized reflexive element in the text make the prose seem like reflexive lyrical Romantic poems about love of one´s nation, which are continually present in Slovak literature throughout the19th century from the 1830s. The text analysis and secondary information sources (correspondence) helped the author of the paper date the text at the second half of the 1840s and put it in the context of the literary works by the poets of the so-called Levoča circle, where – according to Oskár Čepan – the efforts of Slovak Romantic thinking to form the ´Slovak lad´ prototype culminate. She finds and interprets another context of the prose in autobiographic genres published in the second half of the century (Závaté, ale nezapomenuté listí Jozefa Miloslava Hurbana, Hidden but unforgotten leaves of Jozef Miloslav Hurban, Sokol 1862; Rozpomienky na dni peknej mladosti Daniela Maróthyho, Memories of the Days of Daniel Marothy´s Nice Youth, Orol 1873).
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