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Asian and African Studies
|
2004
|
vol. 13
|
issue 2
117 - 133
EN
Mustafa Wahbi at-Tall, better known in his homeland as Arar, lawyer, teacher, political agitator and, above all poet, is now celebrated as a pioneer of Jordanian patriotism and spokesman for his nation's ideals and aspirations. Rebellious patriotism in Arar's poetry is inextricably tied to his addiction to wine and his never-ending Don Juanism. As a drunkard and lover, obsessed by the nostalgia for places that had once quenched his thirst for wine and love, Arar created a quite new type of metaphors and terms of reference to the beloved and to her place in the poet's dream-world. Place-related identity terms referring to the poet's beloved or her close surroundings are the subject of the following account.
EN
The analysis shows how various key motifs of Attila Jozsef's love poetry are represented in this poem of 1937, including transparency, the contrast between 'up' and 'down', 'the outside' and 'the inside' (or, 'eye' vs. 'heart': the external vs. the internal world) and, in general, macro-world and micro-world, as well as reference to music (here: singing, reverberation) and counterpoint. The paper discusses the form and regularity of parallel reference to first vs. second person (the poet and his love), intertextual references to fairy tales and folk poetry, the plane of associations and the parallel structures of the sentences, as well as the palatovelar orchestration and rhythm of the poem.
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