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DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
EN
This article explores the political implications, both at the time and for present-day readers, of the way La Princesse de Clèves calls into question gender norms/roles. Analyzing plots and characters in Lafayette’s text and readers/critics’ reactions in various contexts, it foregrounds the unsettling potential of a text that paradoxically moved from the position of hapax-cum- media-sensation to that of a paradigm of the early-modern novel. By focusing on its continued efficacy in disturbing heteronormative stereotypes, it sheds light on the way literature from before the modern era can contribute to identifying and analyzing queerness and gender dissidence in past historical contexts.
FR
L'article ne contient que des résumés en anglais.
EN
This paper focuses on five films, produced from 1961 to 2011 and related to the 1678 La Princesse de Clèves. It seeks to uncover in four of these films a patrimonial discourse, which can be understood as a production of a culturally hegemonic social class. The fifth film offers a more complex set of discourses, where this cultural hegemony is challenged. It raises the issue of the survival of a classical text in a modern multicultural community.
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