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EN
The article presents the relationship between the drama of Larysa Kosach (Lesya Ukrainka) and philosophy of Friedrich Nietzsche. This connection is to show the crisis of Christian philosophy, which European culture faced at the turn of the 20th century. One of the significant roles was played by the Paul the Apostle, who often appears in Lesya Ukrainka’s drama and is the reason for polemics with the New Testament’s vision of the religion, the concept of the state and social order. The similarity with Nietzsche’s philosophy here is striking, because in both cases the “Good News” of the Saint of Tarsus is interpreted not only in opposition to the teachings of Christ, but first and foremost as the factor in early Christianity, which contributed to strengthening Christian morality consistently controverted by Nietzsche and Lesya Ukrainka.
EN
The article deals with a stereotypical perception of Lesya Ukrainka drama Blue Rose as an experimental and somewhat incomplete work. The main thesis of the text is: the drama fits into the context of European dramaturgy of the late 19th – early 20th century and is consonant with the aesthetic searches of symbolists. The author analyses the motive of hereditary insanity, psychology drama, including fears of the protagonist, autobiography of work, and makes a comparison between interpretations of love themes in Lesya Ukrainka and Dante, and in Lesya Ukrainka and Russian symbolists (A. Blok, A. Bely). The basis for drama philosophy of two worlds was made through the establishment of platonic love doomed to end in tragedy in an imperfect world. The activation of a Middle Ages discourse allowed Lesya Ukrainka to do all the artistic discoveries, which later become the basis for the formation of symbolist theatre.
EN
The present article analyses the lyric and epic poetry of Lesya Ukrainka. Emphasis is put on the fact that all the works of the poet reveal her epic talent, but that the transition to lyric and epic, with the introduction of dramatic moments, and dialogues, gave the poems a tragic, dramatic perception of the world with a clear lyrical colour. The ideas of asceticism, sacrifice for the humankind and the establishment of justice, love of country is defined as one of the leading characteristics of Lesia Ukrainka. It is concluded that the poet was constantly in the international sphere, as she called for justice, brotherhood, freedom – as the highest ideals of peaceful coexistence of nations.
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