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EN
Dahsha [Bewilderment] is an Egyptian TV series written by scriptwriter Abdelrahim Kamal and adapted from Shakespeare’s King Lear. The TV drama locates Al Basel Hamad Al Basha, Lear’s counterpart, in Upper Egypt and follows a localized version of the king’s tragedy starting from the division of his lands between his two wicked daughters and the disinheritance of his sincere daughter till his downfall. This study examines the relationship between Dahsha and King Lear and investigates the position of the Bard when contextualized in other cultures, revisited in other locales, and retold in other languages. It raises many questions about Shakespeare’s proximity to the transcultural/transnational adaptations of his plays. Does Shakespeare’s discourse limit the interpretation of the adapted works or does it promote intercultural conversations between the varying worldviews? Where is the Bard positioned when contextualized in other cultures, revisited in other locales, and retold in other languages? Does he stand in the center or at the margin? The study attempts to answer these questions and to read the Egyptian localization of King Lear as an independent work that transposes Shakespeare from a central dominant element into a periphery that remains visible in the background of the Upper Egyptian drama.
PL
The paper provides overview of the destiny of some Old Church Slavonic/Church Slavonic manuscripts, as well as the issues related to their time and spatial localization. Special attention has been paid to the role of loanwords in localization of these texts, taking into consideration the different Slavonic and Non-Slavonic contact zones. In addition, the paper elaborates on some rare, new and Slavonized graecisms, entered after the return of the Church Slavonic literature at the Slavonic South, in Slavonic-Greek contact zone. This lexis can be usually found in hymnographic texts, in prophetologion, as well as in the commented psalter. Analysis of many properties shows that Slavonic translations or later redactions of these texts are created at the Ohrid Literary School, i.e. at the Slavonic southwest areal. Several graecisms which became part of the spoken and dialect language contribute to more precise localization. The question remains how certain graecisms can contribute to more precise localization of Church Slavonic texts, considering the fact that a certain lexical layer can originate from the archetype or from the protograph. It is possible that the lexical elements can be a result of the latter redaction.
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