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In the article I apply the theory of conceptual metaphors conceived by George Lakoff and Mark Johnson, as well as conceptual blending theory proposed by Gilles Fauconnier and Mark Turner, to an analysis and interpretation of Józef Tischner’s metaphor of drama. I argue that from the perspective of metaphor theory, the philosophy of drama, and existence understood in categories of drama, is an amalgam constituted, among other things, by the input space DRAMA AS LITERARY GENRE. I pay special attention to the metaphor of God as it is expressed within the tension between the input space DRAMA AS LITERATY GENRE and the amalgam space of PHILOSOPHY OF DRAMA.
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