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Filozofia (Philosophy)
|
2023
|
vol. 78
|
issue 5
353 – 365
EN
The paper focuses on the place of struggles, the agones, in classical drama, and how the Socratic dialogue deals with them. The first part returns to Euripides, for whom the agones are an important tool for developing the dramatic plot. The next section deals with the struggle between two brothers in Euripides’ Antiope and relates it to Plato’s Gorgias, in which the protagonists refer to Euripides’ characters. The last part asks how the agonistic changes from Euripides to Plato, and what this change means for the genre of the Socratic dialogue. The starting point of this part is Bakhtin’s study on the novel as a dialogue.
Pamiętnik Literacki
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2012
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vol. 103
|
issue 3
35-51
EN
The article contains an analysis of menippean aspects of Witold Gombrowicz’s Diary, as based mainly on the presentation of menippean satire characteristics carried out by Mikhail Bakhtin in his Problems of Dostoevsky’s Poetics (Problemy poetiki Dostoevskogo). Other important point of reference is the writing by one of the most emminent founder of the menippeah, Lucian of Samosata’s. The article points at a number of analogies not only between Lucian and Gombrowicz’s way of thinking and seeing the reality but also between their styles and specyfic formations in fiction. The menippeah proves to be a form of literature which best responds to the Diary’s writer temperament: it allows to a serious pit against the absurd of human existence and against the paradoxes of a writer’s condition but at the same time to relieve those absurds and paradoxes with laughter.
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