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UMENIE AKO (NE)DOROZUMENIE

100%
Sošková J.
ESPES
|
2016
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vol. 5
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issue 2
38 – 45
EN
The author considers arts (on the axis between the author-work-perceiver) as various forms of understanding and misunderstanding at the same time. The misunderstandings have several causes (cultural, religious, political, social, personal, artistic, aesthetic) and complicate or transform the way of perception and understanding of artworks and produce what the author calls "hushing" or shading aesthetic and artistic qualities of the work. The inability of recognize aesthetic qualities of an artwork complicate its aesthetic effect on the recipient and causes various forms of hostility towards art as a creation and against specific works of art and their authors.
2

THE ROLE OF THE “PRIVATE” IN INTER-GENDER MISUNDERSTANDING

100%
Beran O.
Organon F. medzinárodný časopis pre analytickú filozofiu
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2017
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vol. 24
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issue 2
142 – 165
EN
In this paper, the author uses Wittgenstein’s private language argument for reflecting on some folk-linguistic misconceptions. In Section 1, he shows that elements of the private language semantics inform common ways of looking at some situations referred to as “misunderstandings”. He suggests that it would be appropriate to conceive of the alleged misunderstandings as practical attitudes of mistreatment. This suggestion is explored in Section 2, which is devoted to a commonly assumed prominent example of the problem: the so-called inter-gender misunderstanding. It is believed that men and women use language in systematically different ways, as a result of which they do not understand each other properly, because they miss what their interlocutors “mean”. The conceptual apparatus of mentalist semantics presumed here is abused in order to advocate morally reprehensible actions against women. In Section 3, the author suggests that the Wittgensteinian accounts of language and mind offer arguments for denying private conceptions of understanding on the grounds of both philosophy of language and ethics.
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Portugalczyk Osculati – fazer um portugues ou fazer de portugues na Polonia?

100%
Nunes de Vilhena M.
Studia Iberystyczne
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2010
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vol. 9
307-325
EN
The unusual representation of a Portuguese man made in the sketch «Portugalczyk Osculati» (1959) of the polish television entertainment program Kabaret Starszych Panow suggested the pursuit and analysis of its origins and motivations. Beyond the geographical and cultural distance between Portugal and Poland, it is the recurrence and uniformity to other known representations of the Portuguese people that astounds. Opposing the omniscience and creative genius of the author, Jeremi Przybora, to the simple possibility of a poetical accident, one might find new interpretative dimensions in which not all is what it seems.
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