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MODERN CHINESE WRITERS' MANUSCRIPTS OR: WHEN DID AUTHORS START TO KEEP THEIR DRAFTS?

100%
Findeisen R. D.
Asian and African Studies
|
2009
|
vol. 18
|
issue 2
265-292
EN
This paper raises the question about the meaning of 'keeping a draft manuscripts' in literary production, taking a famous calligraphy from Tang dynasty (8th cent.) as an early Chinese hand-writing that bears clear marks of intervention in a creative process. Taking four modern manuscripts as samples, it explores the blurred limits between calligraphy and manuscripts, and proposes to merge the millennium-old scholarly tradition of ‘collation' (jiaokan) in with methodological tools.
2

PÄŤDESIAT ROKOV SLOVENSKEJ SINOLÓGIE

88%
Čarnogurská M.
Historický časopis (Historical Journal)
|
2010
|
vol. 58
|
issue 4
699-724
EN
In spite of the fact that the scientific study of the achievements of the historical development of China over more than 5000 years of the development of a culture entirely different from that of the West, began only 50 years ago in Slovakia, it has achieved various very original results, thanks to which some of its representatives are regarded as leading personalities in world Sinology, and it can be considered the most important Orientalist discipline in Slovakia. This study endeavours to map in detail everything noteworthy that arose in the course of half a century of Slovak Sinology, and the achievements of its representatives, not only at home, but also abroad and especially in China.
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