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Srovnání Dübenovy sbírky v Uppsale a Liechtensteinovy sbírky v Kroměříži

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Slimackova-Michalkova J.

Hudební věda (Musicology)

2008

vol. 45

issue 1-2

45-56

The collection of the composer and Kapellmeister Gustav Dueben in Uppsala, consisting of about 2,300 handwritten compositions and 25 prints, represents the repertoire performed at the Royal Court in Stockholm between 1640 and 1718. It is the only relatively comprehensive collection of music manuscripts comparable with the collection of the Olomouc Bishop Carl Liechtenstein-Castelcorno in Kromeriz, created 1664-1695, which, according to its 1695 inventory, consisted of 1,397 handwritten manuscripts. In both collections, works by the same 19 composers (Italian and German, who worked mainly, or exclusively, in Italy or the German speaking regions) are found; from Bertali, Schmelzer, Bonifazio and Graziani there are identical compositions in both collections. Comparing the watermarks showed that in each collection the compositions are written on different paper, which, together with the fact that only a small portion of their repertoire is identical, supports the notion that there was no direct link between the Kromeriz and Uppsala collections. From the point of religion and geography, each of them was oriented towards different European culture centres, and the only place common to both was Vienna.

Osudy osobního archivu Otakara Hostinského

75%

Kábová H., Veverka K.

Hudební věda (Musicology)

2010

vol. 47

issue 2-3

273-284

At present we do not have available any complete and thorough discussion of the fates, distribution, and condition of written materials from the estate of the Czech aesthetician and musicologist Otakar Hostinský (1847–1910), despite his undeniable importance for Czech culture. The present study offers the results of research in this area. The administrator of Hostinský’s papers after his death was Zdeněk Nejedlý, who divided them into several parts which were then deposited in various institutions according to their expected future usage. The more precious materials remained and still remain in the ownership of Hostinský’s family. Using information acquired through study in archives and from the families of Hostinský’s descendents, it has been possible to assemble a stemma showing the institutional distribution of Hostinský’s papers. The present article should help future researchers in use of sources for study of Hostinský’s life and work.

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2 Hudební věda (Musicology)

1 Kábová H.

1 Slimackova-Michalkova J.

1 Veverka K.

1 2010

1 2008

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Srovnání Dübenovy sbírky v Uppsale a Liechtensteinovy sbírky v Kroměříži

Osudy osobního archivu Otakara Hostinského