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THE OPERETTA 'APOLLO PRAWODAWCA' (APOLLO THE LAW-GIVER)

100%

Kavalchuk N.

Muzyka

2006

vol. 51

issue 4(203)

27-52

The operetta 'Apollo Prawodawca, czyli Parnassus Reformowany' (Apollo the Law-Giver, or the Parnassus Reformed) is the only musical drama surviving from among numerous works which used to be performed on the stages of school theatres in the Commonwealth of Poland and Lithuania in the eighteenth century. The article attempts to define the genre of 'Apollo', which combines features of two theatrical genres, i.e. the operetta (since it contains relatively small structural forms), and the intermedium (the individual parts of which could be performed between the acts of another stage play). The operetta 'Apollo', staged to celebrate the end of the school year with the aim of acquainting pupils with the rules of oratory, copies the pattern of the school play with a didactic function, and displays features of two closely related musical genres widely employed in the art of the seventeenth and eighteenth centuries - the operetta and the intermedium.

REFLECTION ON THE THEORY OF OPERA AND THE COLLECTED ARTWORK BY THE REPRESENTATIVES OF FORM AESTHETICS OF THE 19TH CENTURY (Reflexia teorie opery a suborneho umeleckeho diela u predstavitelov formovej estetiky 19. storocia)

63%

Blahynka M.

Slovenské divadlo (Slovak Theatre)

2009

vol. 57

issue 4

300-305

The study analyzes the view on the opera, musical drama and problem of art fusion issues given by the aestheticians Eduard Hanslick, Otakar Hostinsky and Josef Durdik. The view on Richard Wagner's incentives on the theory of opera, musical drama and collected artwork shows that it is not always the material of art works which is crucial, but also the way they are composed and presented. This position on the aesthetics and art theory was attained by structuralism and based, among other things, on the criticism of the form aesthetics.

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1 Muzyka

1 Slovenské divadlo (Slovak Theatre)

1 Blahynka M.

1 Kavalchuk N.

1 2009

1 2006

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THE OPERETTA 'APOLLO PRAWODAWCA' (APOLLO THE LAW-GIVER)

REFLECTION ON THE THEORY OF OPERA AND THE COLLECTED ARTWORK BY THE REPRESENTATIVES OF FORM AESTHETICS OF THE 19TH CENTURY (Reflexia teorie opery a suborneho umeleckeho diela u predstavitelov formovej estetiky 19. storocia)