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Nieznany list Marii Komornickiej

100%
Bourkane M.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2013
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issue 21
189-196
EN
The study presents an unpublished letter by Maria Komornicka, which the poet sent in July 1899 to her aunt, Aleksandra Oszacka. The epistolary communication, which contains several pieces of information about the life and activities of the poet living in Warsaw, can be a valuable material for researchers interested in her biography.
2
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Andronice Marii Komornickiej – między kreacją femme fatale a gnostycką transgresją

82%
Bukała M. Z.
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
|
2014
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vol. 32
EN
The subject of this article is an analysis of a fairy tale Andronice by Maria Komornicka. The main axis of interpretation is determined by the opposition between widespread in the nineteenthcenturyliterature femme fatale motif and the broadly defined problem of excess (transgression). Relevant interpretive context is strongly emphasized gnostic awareness in the tale, and entanglementbetween male and female styles of writing.
PL
Przedmiotem niniejszego artykułu jest analiza baśni Andronice Marii Komornickiej. Główną oś interpretacyjną wyznacza opozycja pomiędzy rozpowszechnioną w literaturze XIX wieku kreacją femme fatale a szeroko pojętą problematyką przekroczenia (transgresji). Ważny kontekst interpretacyjny stanowi silnie zaakcentowana w utworze świadomość gnostycka oraz uwikłanie w tradycje męskiego i kobiecego pisarstwa.
3
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Metafizyczny projekt afirmacji „inności” w Xiędze poezji idyllicznej Piotra Własta (Marii Komornickiej)

82%
Borkowiak E.
Acta Humana
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2016
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vol. 7
EN
Xięga poezji idyllicznej, along with the letters of Maria Komornicka show the tragic discord between the optimistic approval of an idealized reality and the heroic struggle for respect of the rights to diversity. The aim of this study was to re-read the poetry and biography of Komornicka in the context of the metaphysical project of the affirmation of otherness, which shows an alternative reality. The work of Komornicka-Włast has been accepted as a unique testimony of courage – a crippled demiurge is allowed to praise the work of God, and a mentally exhausted, humiliated woman can be just a man.
PL
Xięga poezji idyllicznej wraz z listami Marii Komornickiej ukazują tragiczny rozdźwięk pomiędzy optymistyczną aprobatą idealizowanej rzeczywistości (w wyobrażeniach poetyckich) a heroiczną walką o poszanowanie praw do godności i odmienności (w korespondencji do rodziny i przyjaciół). Celem niniejszego opracowania było ponowne odczytanie poezji i biografii Komornickiej w kontekście metafizycznego projektu afirmacji inności, przedstawiającego alternatywną rzeczywistość. Prace Komornickiej-Własta to wyraz niezwykłego świadectwa odwagi – tylko na kartach Xięgi mógł bowiem zaistnieć okaleczony demiurg sławiący nieskończoną dobroć Boga, konstruujący alternatywną rzeczywistość, w której inność nie jest powodem do wstydu i w której wyczerpanej psychicznie i poniżonej do granic ludzkiej godności kobiecie wolno być po prostu mężczyzną.
4
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“Niewiadomość [...] nie jest obłędem”. O listach Marii Komornickiej do matki

81%
Kowalczuk U.
pl.it / rassegna italiana di argomenti polacchi
|
2021
|
issue 12
17-38
EN
This paper focuses on the letters (starting in 1907) that Maria Komornicka addressed to her mother, written from the psychiatric and mental institutions where she was confined. Notably, in these writings the first-person voice is a male subject. The important experience which this epistolary reflects is the rejection of the mental illness as a social construction which can define the author’s identity. The present article examines the narrative self, self-modalities and identity, and how the author writes the self to refuse and fight against the imposed, attributed disease. Among the key themes which will be explored are: an epistolary record documenting the conditions and contexts of the author’s opposition to clinical isolation, misunderstanding and uncertainty as essential components of anti-diagnostic discourse, linguistic strategies to invalidate the practices of exclusion and medicalization, and creativity and healing through letter-writing.
5
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"Harfa Orfeusza" - uwagi na marginesie twórczości Marii Komornickiej

81%
Ratuszna H.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
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2015
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issue 4/2015 O Młodej Polsce mniej znanej
35-47
EN
Maria Komornicka is the author who evokes the figure of Orpheus. In those of her works which were created towards the end of her life, the motif of journey, of search and that of collapse occur. Komornicka also announces the need for resurgence (the return);still, her biography and her corpus become the evidence of her loneliness and her being rejected. The figure of a singer, Orpheus, symbolizes poetry, dilemmas, the misgivings of the artist performing at the beginning of the XX century. One of the most significant problems is the loss of identity, which in turn leads to emptiness and melancholy. Komornicka’s corpus belongs to the current of existentialism.
6
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Trans/figuracje nowoczesności? Spory o twórczość Marii Komornickiej-Piotra Odmieńca Własta

58%
Chmurski M.
Poznańskie Studia Polonistyczne. Seria Literacka
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2015
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issue 26
131-150
EN
The article is a reflection of how the work by Maria Komornicka (pen name Piotr Odmieniec Włast) was perceived in the past two decades on the basis of an analysis of a monograph by Edward Boniecki (1996), Izabela Filipiak (2006) and Brigitta Helbig-Mischewski (2010) in the context of changes in the interpretation of modern Polish literature. In the article, attention is drawn to three groups of issues which can only be identified on the basis of contemporary perception, incomplete as it is, due to the fact that all the works of Komornicka have not been published. The forms and meaning of broadly defined autobiographical writing has been re-defined, while Polish and regional literary modernism has been revised together with the involvement of literary researchers in the subject of their analyses. The author of the article suggests a schematic differentiation between updating, prospective and retrospective strategies in Komornicka’s work and a reflection on the indirect involvement in social and cultural discourses and discussions developed by contemporary researchers into Komornicka’s work.
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