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1

„BIEDNE DZIECKO, PRZYWYKŁO OD NAJPIERWSZYCH LAT SŁYSZEĆ, ŻE JEST BRZYDKĄ I KALEKĄ”. BOHATEROWIE DZIECIĘCY W UTWORACH MARII SADOWSKIEJ

100%

Mielczarek K.

Świat Tekstów. Rocznik Słupski

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2016

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issue 14

131-140

EN

The aim of this article is presenting the literary portraits of children in selected novels and humoresques written by Maria Sadowska (1835?-1892, she used the pen name Zbigniew) in relationships with family, peers, social environment, and therefore in the literary images of her child characters. Sadowska is the author of humoresques, novels of manners, realistic and fantasy novels, which ironically and humorously presents the contemporary social roles, including roles assigned to children. Sadowska, who created a gallery of children literary portraits, is a sensitive psychologist: she moves the reader, makes us think about the fate of a young character. The writer clearly condemns the so-cial acceptance for child abuse (both physical and mental) and the lack of understanding by members of families who were not often able to be beloved mothers or fathers. The author sees the child as a separate entity, which has its own psyche, dreams, concerns and her/his unique inner world. The images of a child in the prose of Sadowska corresponds with those elaborated in romantic prose and realistic prose from the second half of the nineteenth century. In the 180th anniversary of the birth of Maria Sadowska, it is worth taking the oppor-tunity to recall this interesting author hiding under a male pseudonym, who does not hesitate to criticize the model of contemporary Polish society, together with the positivists, for whom the aim of literature was to fulfill an important social mission. The literary voice of Sadowska can thus be seen in the mainstream of positivist aspirations, where the child became a full-fledged and the main literary hero.

2

Film is a woman. The manifestation of femininity in the work of Maria Sadowska based on Women’s Day

100%

Sieńko P.

Acta Universitatis Lodziensis. Folia Sociologica

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2023

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issue 86

61-76

PL

Celem niniejszego artykułu jest omówienie filmu Marii Sadowskiej zatytułowanego Dzień kobiet. Głównym wątkiem, wokół którego artystka postanowiła zbudować jego fabułę, jest herstoria Haliny Radwan. Kobieta pełni różne role społeczno-kulturowe, m.in. matki i pracownicy, co naraża ją na dyskryminację i wykluczenie. Krytyka feministyczna okazała się zatem podstawowym narzędziem wykorzystanym w procesie analitycznym. W artykule odwołano się do przedstawicieli różnych dyscyplin badawczych, jak chociażby socjologii czy filmoznawstwa. Skupiono się także na uchwyceniu relacji doświadczanych przez główną bohaterkę filmu Sadowskiej, zarówno w sferze prywatnej, jak i publicznej. Powyższe poprzedzono wstępem, który zarysowuje tematykę poruszaną przez Sadowską, a także przeglądem podstawowych założeń perspektywy feministycznej w filmoznawstwie.

EN

The aim of this article is to discuss a film by Maria Sadowska, entitled Women’s Day. The main theme around which the artist decided to build its plot is Halina Radwan’s herstory. A woman fulfils various socio-cultural roles, including that of mother, worker and woman, which exposes her to discrimination and exclusion. Feminist criticism therefore proved to be the primary tool used in the analytical process. The article refers to representatives of different research disciplines. The focus lies in capturing the relationships experienced by the main character in Sadowska’s film, both within the private and public spheres. This is preceded by an introduction, which outlines the subject matter addressed by Sadowska, and accompanied by an overview of the basic assumptions of feminist perspective in film studies.

3

„Bo cygan jest u nich czemś niższem od człowieka”. Literacki obraz Cyganów w Oksanie Marii Sadowskiej

71%

Mielczarek K.

Studia Romologica

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2016

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vol. 9

237-251

EN

The aim of this article is to show gypsy Oksana – the character created by Maria Sadowska (1835?–1892; the pen name – Zbigniew) in the relationship with the social environment, thus in the literary portraits of daughters and mistresses. Ina forgotten novel Oksana Sadowska raises a problem of stereotypes about Gypsies. Sadowska is the author of humorous sketches, novels of manners, realistic and fantasy novels, which ironically and humorously present the contemporary social roles. The literary voice of Sadowska can thus be seen as an attempt to express the cultural distinctiveness of Gypsies in the literature of the mid-nineteenth century.

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1 Acta Universitatis Lodziensis. Folia Sociologica

1 Studia Romologica

1 Świat Tekstów. Rocznik Słupski

2 Mielczarek K.

1 Sieńko P.

1 2023

2 2016

„BIEDNE DZIECKO, PRZYWYKŁO OD NAJPIERWSZYCH LAT SŁYSZEĆ, ŻE JEST BRZYDKĄ I KALEKĄ”. BOHATEROWIE DZIECIĘCY W UTWORACH MARII SADOWSKIEJ

Film is a woman. The manifestation of femininity in the work of Maria Sadowska based on Women’s Day

„Bo cygan jest u nich czemś niższem od człowieka”. Literacki obraz Cyganów w Oksanie Marii Sadowskiej