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EN
The capture of the Marienwerder Castle, or where the Teutonic Order’s expansion to the East was stoppedThis paper analyzes the construction, features, and significance of the Marienwerder castle, and its capture by Lithuanian forces in 1384. Located in what is now Kaunas, the castle represented the furthest eastern point of the Teutonic Order’s penetration into the Grand Duchy of Lithuania. As the sparse historiography on it suggests, the event seems to have been overlooked by contemporary historians. In fact, this castle of the Teutonic Order was not just an ordinary fortress, but a mighty stronghold. A detailed analysis of primary sources allows classifying the capture of Marienwerder as a major event in the war between the Order and the Grand Duchy of Lithuania as well as one of the major victories scored by the latter. It may be concluded that the Teutonic Order’s expansion to the east, which had been started from Torun, was then stopped at Kaunas. Zajęcie zamku Marienwerder albo gdzie zakończyła się ekspansja zakonu krzyżackiego na wschódW artykule analizowane są budowa, znaczenie i zajęcie w 1384 r. zamku zakonu krzyżackiego Marienwerder, który mieścił się na terytorium miasta Kowna. Był to najbardziej wysunięty na wschód zamek krzyżacki, który najgłębiej wchodził w terytorium Wielkiego Księstwa Litewskiego. Skromna historiografia świadczy o tym, że został on zapomniany przez współczesnych historyków. A jednak mowa jest tu nie o zwykłej rezydencji zakonu, a o potężnej twierdzy. Szczegółowa analiza źródeł pierwotnych pozwala uważać zajęcie zamku Marienwerder za jedno z najważniejszych wydarzeń w wojnie między zakonem krzyżackim a Wielkim Księstwem Litewskim, jak również jednym z największych zwycięstw tego ostatniego. Można również twierdzić, że ekspansja zakonu na wschód, rozpoczęta od Torunia, zakończyła się na Kownie.
PL
Music societies, referred to in German documents as ‘Kantoreigesellschaften’, ‘Musikgesellschaften’ or ‘Musikkranzlein’, and in Latin records as ‘collegia musica’ or ‘convivia musica’, were founded in numerous towns in German-speaking territories during the veiy first years after the Reformation. They were of an elite character, comprising the most prominent burghers, including the mayor, aldermen, councillors, church officials (pastor, deacon, cantor, organist) and local schoolteachers. Pupils and students attending Protestant schools and universities in German-speaking regions also actively participated in musical performances given by the societies. Their members provided a polyphonic setting for the Mass and other services, as the convivia had the noble mission of singing to the glory of God and educating young people. There are few extant charters of sixteenth-century societies of this type. The present article provides a detailed description of the charter of the Convivium Musicum in Kwidzyn, a town located during the sixteenth century and the first half of the seventeenth century within the borders of Ducal Prussia. This society, founded on 18 February 1587, followed an early modem trend for creating music societies under the patronage of municipal councils and the Church. Its initiator was a local Protestant superintendent (‘Erzpriester’) and pastor, Salomon Klein, supported by deacons, a local teacher, an organist, mayors, aldermen, a notary, a municipal judge, town councillors and others. The article carefully examines each chapter of the charter, providing information on the Convivium’s structure, organisation and activities and the duties of its members.
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