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Veřejná shromáždění a státní moc (První máje v českých zemích 1918-1938):

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Horák P., Miller S.
Český časopis historický (The Czech Historical Review)
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2020
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vol. 118
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issue 2
388-415
EN
This paper deals with the approach of state power to public assemblies in interwar Czechoslovakia. It broaches the question of what the state-political authorities considered to be the limit of public order, which could not be crossed at political manifestations. Second, the paper focuses on the question of who determined the approach to public assemblies in the structure of the political administration. The issue is monitored within the manifestation culture of May Day. This holiday offers a defined field in which it is possible to study the ways in which the interwar state and its apparatus of political administration sought in practice the relationship between the guarantee of civil liberties (assembly or freedom of speech) and the protection of state authority.
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Aristokracie práce a výzva socialismu. Typografové v Praze v kontextu proměn předlitavské dělnické kultury v letech 1890-1914

58%
Raška J., Miller S.
Český časopis historický (The Czech Historical Review)
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2022
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vol. 120
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issue 2
371-407
EN
This study deals with skilled employees of Prague book printers at the turn of the 20th century. Typographers have traditionally had a reputation as elite and elitist workers. In addition, they were active participants in public patriotic life in Prague in the 1860s-1880s. After 1890, however, their main provincial organisation, the Typographic Club, became involved in building a united workers’ movement under the auspices of socialism. The study examines the activities of several typographers-socialists within the structures of social democracy and the reaction of skilled typographers, i.e., the members of the Typographic Club, to the change of rhetoric and strategies of their organisation. It also focuses on how the Typographic Club mastered some cultural practices of the socialist movement (e.g., May Day celebrations, engagement in a unified socialist educational institution or the change in the relationship with unskilled workers). Using the example of the engagement of the Typographic Club in the Dělnická knihtiskárna a nakladatelství [Workers’ Printing Office and Publishing House], it shows the conflicting areas in which the typographic organisation began to split ideologically at the end of the century.
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