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Hollywood na frontach zimnej wojny

100%
Patrycja W.
Kwartalnik Filmowy
|
2016
|
issue 93-94 Kino amerykańskie
67-83
EN
The 1950s are remembered in the American history as a time of McCarthyism, witch hunting and black lists. Due to the politics and influence of big production studios and post-war changes in Washington, when the Republicans took over, the atmosphere of Cold War was used in internal strife. McCarthyism, and its arm in the form of Committee on Un-American Activities which affected Hollywood the most, carried out investigations among workers of the film industry in search of communists and people of inconvenient views. This resulted in an atmosphere of intimidation, incrimination of certain topics, work bans, and influenced the overall shape of 1950s American cinematography – causing a domination or deficit of certain problems and giving rise to whole new themes and film genres.
PL
Lata 50. przeszły do historii Ameryki jako czas makkartyzmu, polowania na czarownice i czarnych list. Pod wpływem interesów wielkich wytwórni i powojennej zmiany w Waszyngtonie, gdy władzę przejęli republikanie, atmosferę zimnej wojny zaczęto wykorzystywać do wewnętrznych rozgrywek. Narzędziem makkartyzmu, które najbardziej dotknęło Hollywood, była Komisja do spraw Badania Działalności Antyamerykańskiej w latach 1947-1960 prowadząca przesłuchania pracowników branży filmowej w poszukiwaniu komunistów i ludzi o niewygodnych poglądach. Skutkowało to atmosferą zastraszania, inkryminacją określonych tematów, zakazami pracy, miało też wpływ na kształt kinematografii amerykańskiej w latach 50. – dominację bądź deficyt pewnych kwestii, a nawet narodziny całych gatunków i nurtów filmowych.
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Which theory of communication is “political correctness”?

67%
Konye M. N.
Journal of Education Culture and Society
|
2016
|
vol. 7
|
issue 2
53-74
EN
The paper focuses on ‟political correctness”, which has become a late 20th century catch-phrase in Western European and North American liberal democracies but also  has found currency in the political climate of the Asian and Eastern countries. A historical and multi-cultural review is intended as an introduction to a broader philosophical analysis of the Marxist backgrounds of political correctness and its neo-Marxist theoretical correctives in Jürgen Habermas’s theory of communicative action. My aim is to draw out both the educational and cultural implications of laying out the ethos of contemporary discourse on the foundations of the evolving dynamics of the rhetoric of political correctness.
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