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In the Universe of Cassandra: The Ancient Topos of Clairvoyance in the Futuristic World of Minority Report (2002)

100%
Budzowska M.
Text Matters: A Journal of Literature, Theory and Culture
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2020
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issue 10
151-165
EN
The figure of Cassandra is well-known from numerous representations in ancient and modern literature as an archetype of a woman who has the power to see the future, but whose visions are not believed. In ancient Greek literature, Cassandra was an important character serving as a prophet of an approaching catastrophe. In her modern adaptations, this figure became a metaphor in psychoanalytical research on human moral behaviour (Melanie Klein and the Cassandra complex) developed in feminist writing. Cassandra has also been of interest to filmmakers, with perhaps the best adaptation of the subject of Cassandra’s clairvoyance being Steven Spielberg’s film Minority Report. Loosely based on Philip K. Dick’s 1956 short story The Minority Report, the plot presents a version of the Cassandra myth, in which a woman together with male twins operate as a group mind to predict future crimes. Their visions are used by the state to prevent the crimes and imprison the would-be criminals. This article offers a thorough analysis of all the ancient and modern features of the metaphor of Cassandra employed in this movie within the overarching framework of the central theme of free will vs. determinism. According to this approach, the central theme is examined with reference to ancient Aristotelian and Stoic moral philosophy, the modern feminist psychoanalysis of Melanie Klein, and the political philosophy and legal issues in the post-9/11 world.
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Figura mitologicznej Kasandry w filmach science fiction

55%
Rojek P.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2020
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vol. 28
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issue 37
234-246
EN
The article reflects on how characters with the features of the mythological Cassandra function in science fiction films. Such references are part of the rich tradition of building fictional depictions of the near or distant future on the foundation of mythical stories. The study aimed to examine the considerable and complex meaning which Cassandra conveys through the ages and to determine its usefulness in constructing pop culture ideas about the current condition of humanity. In contemporary fiction, Cassandra is brought to the fore more often than in ancient sources, and her fullest portrait is drawn in those films that both consider her a figure of the powerlessness of the prophets and take into account her personal drama. In Terminator 2: Judgment Day (1991) by James Cameron, 12 Monkeys (1995) by Terry Gilliam, Minority Report (2002) by Steven Spielberg, and Arrival (2016) by Denis Villeneuve, the figure of Cassandra is examined through her prophetic gift, the alleged madness of the seer and the fearfulness of the prophetism itself.
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