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„O miasto nierzeczywiste”...Infernalne przestrzenie prozy Miodraga Bulatovicia

100%

Bukwalt M.

Pamiętnik Słowiański

2011

vol. 61

issue 2

81-106

This article is an attempt to describe the meaningful, symbolic, metaphorical and metonymical elements of inhuman urban space present in the prose works by Bulatović. The detailed analysis includes the discussion of structural features of the urban hell, the presentation of its permanent attributes and inhabitants – “the people of the lowest rank” who are led by the mentally ill misﬁts and political and economic immigrants from the Balkans and the Central and Eastern Europe. The study includes the examination of the static elements of the big-city infernum (a tavern with people of dubious repute as the reﬂection of the otherworldly space). It also draws the attention to the mental picture of the city created in the mind of a mad person (the urban space as a perceptive creation, an infernal labyrinth, a trap, and a place of assault). It also presents the space of the West European metropolis as the area of criminal activities of the immigrant rabble, revanchists, and political vampires (the acts of the characters in the liminal space of the city: railway stations, underground stations and tunnels, bars, cemeteries). The basic discussion is preceded with the reﬂection on the infernal inspirations, derived from painting and literature, in the prose works by Miodrag Bulatović (referring to the cultural context, interdisciplinary perspective). The article makes use of the conceptual apparatus in the scope of demonology, infernology, psychopathology, the anthropology of culture, and the history of art.

Znaczenie obrazów symbolicznych w opowiadaniu „Nema povratka” Miodraga Bulatovicia

51%

Fudala J.

Slavica Wratislaviensia

2017

vol. 164

79-89

Miodrag Bulatović is a representative of a grotesque avantgarde trend in post-war Serbian literature. In his short stories and novels, he referred to the notions of evil and moral decay. In a short story collection entitled Vuk i zvono, he depicted a war-stricken countryside of Montenegro, in which all elements of the world depicted are gradually devoured by ﬁre. Only a few of the short stories from the above-mentioned collection have been translated into Polish. In the analytical part of the article, the most important motifs found in the translated texts are discussed.

Y причама из збирке Вук и звоно доминира ватра, са којом су повезане људске судбине. Читалац има утисак да је човек само играчка у рукама судбине, а ватра преовладава у ње- говом животу. Булатовић приказује свет, који изгледа као пакао на земљи. Свеприсутност људских несрећа, рата и ватре ствара слику света пуног безнађa и туге. Зло се рaђa у људи- ма и утиче на њихов даљи живот. У циљу приказања трагизма и безнађа споменути писац користи много симбола, a њиховo значење je битно за разумевање текста.

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1 Pamiętnik Słowiański

1 Slavica Wratislaviensia

1 Bukwalt M.

1 Fudala J.

1 2017

1 2011

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„O miasto nierzeczywiste”...Infernalne przestrzenie prozy Miodraga Bulatovicia

Znaczenie obrazów symbolicznych w opowiadaniu „Nema povratka” Miodraga Bulatovicia